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During the recording process SZA opted for a freestyle method, relying on moments in the studio. The album debuted at #3 on the US Billboard 200. It generated the singles \"Drew Barrymore\", \"Love Galore\", and \"The Weekend\". As of October 2017, the album has been certified gold by the Recording Industry Association of America for accumulating over 500,000 in album-equivalent units and pure sales.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51847908426044,"sku":"FSLP-227","price":27.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/814rK3uioeL._SL1500_49ead958-0992-433b-9ec3-3569d8b44c9b.jpg?v=1752438247"},{"product_id":"lauryn-hill-the-miseducation-of-lauryn-hill-vinyl-lp","title":"Lauryn Hill - The Miseducation Of Lauryn Hill Vinyl 2LP","description":"\u003cp\u003eThe Miseducation of Lauryn Hill is the debut solo album studio by Lauryn Hill. Released August 25, 1998, the album swept the Grammy Awards in 1999, being nominated for 10 and winning five. As of 2009, the album has sold over 19 million copies worldwide and over 10 million copies in the US alone, with the RIAA giving it Diamond status.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51847911145788,"sku":"FSLP-238","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/81Jr6DEe02L._SL1500_d5104502-4504-4aac-8e84-8ea122a4e073.jpg?v=1752438227"},{"product_id":"the-war-on-drugs-lost-in-the-dream-vinyl-lp","title":"The War On Drugs - Lost In The Dream Vinyl 2LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e'Lost In The Dream' is the third album by Philadelphia band The War on Drugs, but in many ways, it feels like the first. Around the release of the 2011 breakthrough 'Slave Ambient', Adam Granduciel spent the bulk of two years on the road, touring through progressively larger rock clubs, festival stages and late-night television slots. As these dozen songs shifted and grew beyond what they’d been in the studio, The War on Drugs became a bona fide rock ’n’ roll band.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThat essence drives 'Lost In The Dream', a 10-song set produced by Granduciel and longtime engineer Jeff Zeigler. In the past, Granduciel built the core of songs largely by himself. But these tunes were played and recorded by the group that had solidified so much on the road: Dave Hartley, (his favorite bassist in the world), who had played a bit on The War on Drugs’ 2008 debut 'Wagonwheel Blues', and pianist Robbie Bennett, a multi-instrumentalist who contributed to 'Slave Ambient'. This unit spent eight months bouncing between a half-dozen different studios that stretched from the mountains of North Carolina to the boroughs of New York City. Only then did Granduciel—the proudly self-professed gearhead, and unrepentant perfectionist—add and subtract, invite guests and retrofit pieces. He sculpted these songs into a musical rescue mission, through and then beyond personal despair and anxiety. 'Lost In The Dream' represents the trials of the trip and the triumphs of its destination.\u003c\/span\u003e\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51847911670076,"sku":"FSLP-241","price":31.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/a3175437836_10_327111f9-e5b1-4de7-a79b-2bec92d732bf.jpg?v=1752438360"},{"product_id":"fugees-the-score-vinyl-lp","title":"Fugees - The Score Vinyl 2LP","description":"\u003cp\u003eThe Score is the second and final studio album by the hip hop trio Fugees, released worldwide February 13, 1996 on Columbia Records. The album features a wide range of samples and instrumentation, with many aspects of alternative hip hop that would come to dominate the hip hop music scene in the mid-late 1990s. The Score's production was handled mostly by the Fugees themselves and Jerry Duplessis, with additional production from Salaam Remi, John Forté, Diamond D, and Shawn King. The album's guest raps are from Outsidaz' members Rah Digga, Young Zee and Pacewon, as well as Omega, John Forté, and Diamond D. Most versions of the album feature four bonus tracks, including three remixes of \"Fu-Gee-La\", and a short acoustic Wyclef Jean solo track entitled \"Mista Mista.\" Upon it's release, The Score was a commercial success, peaking at the number one spot on both the Billboard 200, and the Top R\u0026amp;B\/Hip Hop Albums chart (it was a number-one album on the latter in 1996 on the year-end chart). The singles \"Killing Me Softly, \" \"Fu-Gee-La, \" and \"Ready or Not\" also achieved notable chart success, and helped the group achieve worldwide recognition. On October 3, 1997, The Score was certified six times platinum in sales by the Recording Industry Association of America (RIAA). In addition to receiving mostly favorable reviews upon it's release, the album has garnered a considerable amount of acclaim over the years, with many music critics and publications noting it as one of the greatest albums of the 1990s, as well as one of the greatest hip hop albums of all time. In 1998, the album was included in The Source's 100 best rap albums list, and in 2003, it was ranked number 477 on Rolling Stone magazine's list of the 500 greatest albums of all time.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51847911997756,"sku":"FSLP-244","price":32.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/Fugees_20The_20Score_c7eb1aa5-66f5-43b6-b060-bef14270d5a6.jpg?v=1752438220"},{"product_id":"wu-tang-clan-enter-the-wu-tang-36-chambers-vinyl-lp","title":"Wu-Tang Clan - Enter The Wu-Tang (36 Chambers) Vinyl LP","description":"\u003cp\u003eThis debut emerged as one of the most influential rap albums of the '90s. It laid the groundwork for the rebirth of New York hip-hop, an underground, hardcore new sound that went on to influence Biggie, Jay-Z, Nas, and Mobb Deep, among others. Rap became at once theatrical and cerebral, MCs lyricists and powerhouses capable of violence, metaphor, humor and revolution in their performing. The album is full of hard, gritty beats, references to pop culture and martial arts, eclectic piano and string sounds, as well as surrealist overtones, and there truly was nothing like it in the hip-hop world at the time. Even now, it's an original album in a league of it's own. Get it. You won't regret it.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51847913079100,"sku":"FSLP-255","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/71Q2D-XDOaL._SL1200_5eff010c-9026-44e5-92b2-bbbe85bfd253.jpg?v=1752438258"},{"product_id":"hailu-mergia-shemonmuanaye-vinyl-lp","title":"Hailu Mergia - Shemonmuanaye Vinyl 2LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHailu Mergia is a one-man band. In 1985 master accordionist and veteran bandleader\/arranger\/keyboardist released the Hailu Mergia and His Classical Instrument cassette. In a nostalgic effort to bring back the vintage accordion sound of his youth, Mergia gave Ethiopian music a sonic makeover. Mergia was already celebrated for his work with the groundbreaking, industry-shifting Addis Ababa ethio-jazz and funk outfit the Walias Band, he pressed forward using new tools to retool the popular sounds of the past. Adding a Moog synthesizer, Rhodes electric piano and rhythm machine, to the rich harmonic layering of his accordion, he created elegantly arranged, hauntingly psychedelic instrumentals. These songs draw from famous traditional and modern Ethiopian songs, as Mergia brilliantly matches Amhara, Tigrinya and Oromo melodies to otherworldly flavors soaked in jazz and blues, synthesizing a lush, futuristic landscape. 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It’s a shift that rewards the risk, reorienting Khruangbin’s transportive sound toward a new sense of emotional directness, without losing the spirit of nomadic wandering that’s always defined it. And it all started with them coming home.  By the summer of 2019, the Houston group—bassist Laura Lee Ochoa, guitarist Mark Speer, drummer DJ Johnson—had been on tour for nearly three-and-a-half years, playing to audiences across North and South America, Europe, and southeast Asia behind its acclaimed albums The Universe Smiles Upon You and Con Todo El Mundo. They returned to their farmhouse studio in Burton, Texas, ready to begin work on their third album. But they were also determined to slow down, to take their time and luxuriate in building something together.   \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMusically, the band’s ever-restless ear saw it pulling reference points from Pakistan, Korea, and West Africa, incorporating strains of Indian chanting boxes and Congolese syncopated guitar. But more than anything, the album became a celebration of Houston, the eclectic city that had nurtured them, and a cultural nexus where you can check out country and zydeco, trap rap, or avant-garde opera on any given night.  In those years away from home, Khruangbin’s members often felt like they were swimming underwater, unsure of where they were going, or why they were going there. But Mordechai leads them gently back to the surface, allowing them to take a breath, look around, and find itself again. It is a snapshot taken along a larger journey—a moment all the more beautiful for its impermanence. And it’s a memory to revisit again and again, speaking to us now more clearly than ever.\u003c\/span\u003e\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51850809770300,"sku":"FSLP-264","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/DOC193_774beb06-1da3-49b0-84b5-939e77687001.jpg?v=1752438294"},{"product_id":"khruangbin-a-la-sala-vinyl-lp","title":"Khruangbin - A La Sala Vinyl LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKhruangbin's fourth studio album, A LA SALA (\"To the Room\" in Spanish), is an exercise in returning in order to go further, and doing so on your own terms. It continues the mystery and sanctity that is the key to how bassist Laura Lee Ochoa, drummer Donald \"DJ\" Johnson, Jr. and guitarist Mark \"Marko\" Speer approach music. If 2020's Mordechai, the last studio LP Khruangbin made without collaborators, was a party record that enhanced the band's musical reputation far and wide, then A LA SALA is the measured morning after. It's a gorgeously airy record completed only in the company of the group's longtime engineer Steve Christensen, with minimal overdubs. It's a window onto the bounties powering Khruangbin's vision, a reimagining and refueling for the long haul ahead. A LA SALA scales Khruangbin down to scale up, a creative strategy with the future in mind.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe trio's collective musical DNA, the years spent constructing it in Houston's local-meets-global cultural stew, ensures the band continues to sound like no one but itself. A cascade of crisp melodies emanates from Marko's reverb-heavy electric, dancing gently around Laura Lee's minimalist almost-dub bass triangles, while DJ's drums serve as the tightened-up pocket and unwavering dance-floor on which all this movement takes place. Yet there's a freshness to A LA SALA's instrumental interactivity, less concerned with getting further out than going deeper in, a profound desire to celebrate the world's external wonders. Where prior albums strived towards music's polyglot edges, such inquiries now sound like beloved intimacies. Here, Khruangbin's sonic touch-points — whether spaghetti-western film scores (on \"Fifteen Fifty-Three\"), West African discos (on \"Pon Pón\"), G-funk fantasias (\"Todavía Viva\"), living room dancing moments (the first single, \"A Love International\"), or even ambient found-sounds (on \"Farolim de Felgueiras and throughout the album\") — are ingrained characteristics. This is who they are! Unique and huge (and growing), ambitious and driven.Khruangbin's aspirations and commitment to playful creativity even extends to A LA SALA's vinyl packages, of which there will be seven distinctive covers and color-sets. Designed by the band using Marko's multitude of travelog photos, the images are windows from the band's living room onto a set of daydreams, scenes of impossible skies, external glances that illuminate what is going on inside. Each cover image comes with a matching color vinyl. These too are all about looking out and looking back, in order to better look ahead.\u003c\/span\u003e\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51850810360124,"sku":"FSLP-269","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/DOC357_113eabbe-8d3d-40c5-805e-03ea6dbdc99d.jpg?v=1752438290"},{"product_id":"antena-camino-del-sol-gold-vinyl-vinyl-lp","title":"Antena - Camino Del Sol (Gold Vinyl) Vinyl LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1982, Brussels: The former au pair for Rick Wakeman of Yes and two of her teenage friends are at the doorstep of Les Disques Du Crepuscule, ready to cut an album with Gilles Martin. Living on busking wages and next door to Tuxedomoon, their work results in a contemporary bossanova record that would provide a missing link between Antonio Carlos Jobim and Kraftwerk. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCamino Del Sol\u003c\/em\u003e\u003cspan\u003e was issued and promptly forgotten, with Isabelle Antena moving toward jazz in Asia and the others returning to France. Twenty years later, it was findable only as a VG+ LP with a sticker price of $4.99. Intrigued by the striking cover’s sunlit patio furniture emptiness basking in the south of France, we scooped up \u003c\/span\u003e\u003cem\u003eCamino Del Sol\u003c\/em\u003e\u003cspan\u003e and grouped the extant Antena recordings from that exceptional period by session. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOur definitive 2LP reissue of the original five-song mini-LP adds the group’s first 12” (a cover of Jobim’s “Girl From Ipanema,” naturally), the Seaside Weekend 12”, compilation tracks, and two previously unissued cuts, recasting this short-lived combo’s forward-thinking milemarker as a modern-day masterstroke.\u003c\/span\u003e\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51850812784956,"sku":"FSLP-289","price":36.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/a1422833515_10_d9dc24a7-4fd4-43e6-90be-576d14d1a2b5.jpg?v=1752438419"},{"product_id":"laraaji-vision-songs-vol-i-marbled-orange-vinyl-vinyl-lp","title":"Laraaji - Vision Songs - Vol. I (Marbled Orange Vinyl) Vinyl LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVision Songs Vol. 1 (1984) is the LARAAJI album like no other, located at the intersection of new age and gospel. It is both his outlier and magnum opus, the feel-good DIY tape of the century.Discovered busking in Washington Square Park by Brian Eno in the late 70s, engagement with the eternal flow has led Laraaji to, seemingly by magic, emerge as the most beloved avatar of the unstoppable new age music revival of recent years.Now Vision Songs rewrites Laraaji's musical history. Vision Songs is literally a revelation -- of a master songwriter whose unbelievably catchy best compositions such as \"We Shall Be Lifted\", \"All Of A Sudden\", and \"Is This Clear?\" belong in any great American songbook.Casio synth jams recorded at spiritual retreat guest rooms and a tiny bedroom on the Upper West Side, lysergically-spectacular anthems for a continually arriving new moment, \"channeled,\" as Laraaji states in the album's eloquent liner notes, \"from the sky,\" previously available in an edition of 100 cassettes sold at yoga retreats and on the streets of New York City, Vision Songs is humbly offered on vinyl, CD, and streaming for the very first time.\u003c\/span\u003e\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51850813178172,"sku":"FSLP-293","price":26.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/NUM079_Laraaji_VisionSongsVol1_Digital_720x_96843404-df70-4e4c-8f87-2bb356280f83.jpg?v=1752438043"},{"product_id":"various-soft-summer-breezes-translucent-yellow-vinyl-vinyl-lp","title":"Various - Soft Summer Breezes (Translucent Yellow Vinyl) Vinyl LP","description":"\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-12 px-3 py-3\"\u003e\n\u003cp class=\"ng-tns-c15-861\"\u003eFollowing in the wake of baroque chart toppers by the Zombies, Beatles, and the Left Banke, a dandier approach to garage rock flowered in the back half of the '60s. Awash in majestic harpsichords, lilting guitars, melancholic organs, and middle school orchestras, Soft Summer Breezes captures the decade’s last gasps of optimism via 16 gentle moments of soft psychedelia.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51850813538620,"sku":"FSLP-299","price":26.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/NUM516_5b1ee1ac-3086-4c2e-b664-e8bdba8e6d5f.jpg?v=1752438195"},{"product_id":"chico-freeman-spirit-sensitive-vinyl-lp","title":"Chico Freeman - Spirit Sensitive Vinyl LP","description":"\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003ePressed from metal parts mastered with tube electronics by Gavin Lurssen and Ron Lewter at The Mastering Lab\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePressed at Quality Record Pressings on \u003cmeta charset=\"utf-8\"\u003e180-gram vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHoused in Stoughton Printing tip-on gatefold jacket\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEarl \"Chico\" Freeman was one of the '70s leading modern tenor saxophone players steeped in the traditions of jazz, recording for independent labels like India Navigation, at his most productive between 1976 and 1981, and still active today.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSpirit Sensitive (1979) represented a change in direction for usually free and avant-leaning Chico, a selection of standards, almost all ballads. 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Following his label debut Down Home Style, McDuff made one of the most creatively ambitious albums of his career with Moon Rappin’, which was released in 1970. The album featured 5 funky, spaced-out McDuff originals including hard-grooving numbers like “Flat Backin’” and “Loose Foot,” as well innovative tracks like “Moon Rappin’” and “Oblighetto,” which would later be permanently ingrained into hip hop history when it was sampled by A Tribe Called Quest as the foundation of 2 of their all-time classic tracks: “Scenario” and “Check the Rhime.”\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51857339023676,"sku":"FSLP-322","price":24.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/71bIxsi9AHL._SL1200_c3b475bd-68ea-4db6-9726-f8c175725f56.jpg?v=1752438480"},{"product_id":"the-horace-silver-quintet-song-for-my-father-blue-note-classic-vinyl-series-vinyl-lp","title":"The Horace Silver Quintet - Song For My Father (Blue Note Classic Vinyl Series) Vinyl LP","description":"\u003cp\u003eThis Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA decade into his recording career, pianist Horace Silver made the album that would endure as the crown jewel of a catalog that boasts numerous hard bop classics. Song for My Father captured the transition of his quintet with two tracks taken from an October 1963 session with Blue Mitchell, Junior Cook, Gene Taylor, and Roy Brooks. A year later Silver entered Van Gelder Studio again with a new band featuring Carmell Jones, Joe Henderson, Teddy Smith, and Roger Humphries for a session that yielded four more cuts including what would become his signature tune, “Song for My Father,” a dedication to his father that was inspired by both his Cape Verdean heritage and the music Silver had heard on a recent trip to Brazil.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51857339089212,"sku":"FSLP-324","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/81vBvIFl_iL._SL1300_bf9912b7-e403-444d-8135-3b0b0583ba03.jpg?v=1752438565"},{"product_id":"alice-coltrane-journey-in-satchidananda-impulse-acoustic-sounds-series-vinyl-lp","title":"Alice Coltrane - Journey In Satchidananda (Impulse Acoustic Sounds Series) Vinyl LP","description":"\u003cul\u003e\n\u003cli\u003eMastered by Ryan K. Smith at Sterling Sound from the original analog tapes.\u003c\/li\u003e\n\u003cli\u003e180-gram LPs pressed at Quality Record Pressings\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAlice Coltrane had become a disciple of Swami Satchidananda, which explains the title of her 1971 masterpiece Journey in Satchidananda, recorded November 8, 1970 (except for one live track) and issued in January of 1971. It was recorded at the Coltrane home studio in Dix Hills, New York. Coltrane and Ed Michel produced the album. Album photography was by Chuck Stewart and Ed Michel. It was issued as impulse! AS 9203. The band for the studio tracks included Alice Coltrane. piano, harp; Pharoah Sanders, soprano saxophone, percussion; Cecil McBee, double bass; Rashied Ali, drums; Tulsi, tanpura; and Majid Shabazz, bells, tambourine. For \"Isis and Osiris,\" recorded live July 4, 1970, at The Village Gate in New York City, the group was: Alice Coltrane. harp; Pharoah Sanders, soprano saxophone, percussion; Charlie Haden, double bass; Rashied Ali, drums; and Vishnu Wood, oud. All songs were by Coltrane.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSeeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51857339679036,"sku":"FSLP-329","price":39.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/alice-coltrane-journey-in-satchidananda-impulse-acoustic-sounds-series-vinyl-lp-cover.jpg?v=1752606272"},{"product_id":"sonny-rollins-saxophone-colossus-analogue-productions-prestige-mono-series-vinyl-lp","title":"Sonny Rollins - Saxophone Colossus (Analogue Productions Prestige Mono Series) Vinyl LP","description":"\u003cp\u003eCut from the analogue masters by renowned mastering engineer Kevin Gray. 180-gram pressing by Quality Record Pressings.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOne of the pivotal recordings in bringing about the widespread acceptance of Sonny Rollins as a major figure, Saxophone Colossus inspired critics to write scholarly analyses and fans to revel in the hard-swinging invention, humor, and tender-strength balladry. Up to this album, while most musicians recognized Rollins as one of the new influential forces in the jazz of the ’50s, most critics were carping at Rollins or damning him with faint praise. \"St. Thomas,\" a traditional West Indian melody which Mal Waldron remembered as \"The Carnival,\" was recorded by many artists after Sonny introduced it here, and it remains a jazz standard today. The contributions of Tommy Flanagan’s elegant swing, Doug Watkins’s steady lift, and Max Roach’s most musical accompaniment and soloing (hear \"Blue 7\") make this a landmark album.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51857340137788,"sku":"FSLP-336","price":39.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/71GlAEo3S6L._SL1400_8c2e8d19-c904-43ca-b38a-897f6c9b4a71.jpg?v=1752438555"},{"product_id":"john-coltrane-lush-life-analogue-productions-prestige-mono-series-vinyl-lp","title":"John Coltrane - Lush Life (Analogue Productions Prestige Mono Series) Vinyl LP","description":"\u003cp\u003eCut from the analogue master by renowned mastering engineer Kevin Gray. 180-gram pressing by Quality Record Pressings.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eHere is one of the musical giants of the 20th century, poised on the precipice of greatness. Between the spring of 1957 and the winter of 1958, during which time Lush Life was recorded, the music of tenor saxophonist John Coltrane (1926-1967) was developing in giant steps, thanks in great part to a six-month 1957 stint with Thelonious Monk that had much to do with sharpening Coltrane’s harmonic conception and torrential attack. Lush Life contains Coltrane’s first recordings as sole leader, his initial date fronting a pianoless trio, and one of his first extended readings of a ballad, Billy Strayhorn’s resplendent title track. We also hear him at the helm of a quartet and quintet, featuring pianist Red Garland, with trumpeter Donald Byrd, bassist Paul Chambers and drummer Louis Hayes added to “Lush Life.” Coltrane handles the tune’s delicate complexities with infinite style and finesse.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51857341088060,"sku":"FSLP-338","price":39.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/91bFyJEXWqL._SL1500_b15d3223-8458-427b-a9c4-af471327addb.jpg?v=1752438505"},{"product_id":"kenny-dorham-quiet-kenny-analogue-productions-prestige-stereo-series-vinyl-lp","title":"Kenny Dorham - Quiet Kenny (Analogue Productions Prestige Stereo Series) Vinyl LP","description":"\u003cp\u003eMastered from the original analog master tapes by mastering maestro Kevin Gray. 180-gram LP pressed at Acoustic Sounds' state-of-the-art pressing plant, Quality Record Pressings, plated by Gary Salstrom.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eQuiet Kenny is yet another reminder of what a trumpet giant Kenny Dorham was. Whether limning ballads such as \"My Ideal,\" \"Alone Together,\" \"I Had the Craziest Dream,\" and \"Old Folks,\" or investigating the timelessness and intricacies of the blues (his originals in this set with \"Blue\" in their titles), the former Charlie Parker cohort and ex-Jazz Messenger exhibits his subtle swing, personal sound, and finely-honed harmonic sense. Along the way these reflections and connections with Bird, Coleman Hawkins, Sonny Rollins, Max Roach, Harry James, and Louis Armstrong make for a rich legacy. With Tommy Flanagan, Paul Chambers and Arthur Taylor\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51857341153596,"sku":"FSLP-340","price":39.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/OTItNjA2Ni5qcGVn.jpg?v=1751896963"},{"product_id":"donald-byrd-byrd-in-paris-vinyl-lp","title":"Donald Byrd - Byrd In Paris Vinyl LP","description":"\u003cp\u003eLimited edition 180-gram vinyl. Remastered from the original master tapes and pressed at Optimal in Germany. Reissued in 2014 by Sam Records under licence from Universal Music Classics \u0026amp; Jazz France, a label of Universal Music.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOn its first French appearance, in July ‘58 at the Cannes Festival — the first and only Cannes jazz festival — the Donald Byrd Quintet had brought the house down. Yet four of its five members were relatively unknown in France ... The French knew that the leader had replaced Kenny Dorham in the Jazz Messengers, that Doug Watkins was the Messengers' bassist, and that pianist Walter Davis Jr. was still only 18 when he'd played with Charlie Parker. As for Art Taylor, even if his name meant something to fans, it was still difficult for people to have a more precise idea of his musical qualities. Only Bobby Jaspar was well-known to Paris audiences, and the tour marked the return of the prodigal son, the musician who'd decided, after setting the Club St. Germain on fire, to try his luck in the States early in 1956 — J.J. Johnson had hired him, and then Miles Davis (for a short spell) before Donald Byrd brought him into the group he was taking to Europe. This new tour would climax at the Olympia theatre during one of the \"Jazz Wednesdays\" that were organized there, ever since the \"Jazz At Carnegie Hall\" tour — Zoot Sims, JJ. Johnson, Lee Konitz, Phineas Newborn — had inaugurated the series a little earlier. Byrd and his band took pains not to disappoint a Paris audience they knew to be particularly fickle, and they astutely varied the public's pleasures throughout the evening.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe complicity that united the rhythm section — Walter Davis Jr., Doug Watkins and Art Taylor — was much in evidence on \"Ray's Idea\"; mistrusting the traps of the spectacular at all costs, Donald Byrd, producing brilliant inventions on the trumpet, took the lion's share of the honours on a theme that was then much in fashion, \"Dear Old Stockholm,\" adapted from a Swedish traditional song; on \"Flute Blues,\" Bobby Jaspar proved he was still a specialist on that instrument, and \"Paul's Pal\" showed that, on tenor, the playing of Sonny Rollins hadn't gone unnoticed. It must be said that it didn't have much effect on the discreet lyricism underlying the choruses he played during his \"St. Germain\" period. The Olympia spectators weren't sparing in their applause for the five musicians. How else could they have reacted, faced with the fire the band showed during a tune like \"The Blues Walk\"? It wouldn't take much for us to applaud, too, even if it is 56 years later.\u003c\/p\u003e\n\u003cp\u003eRecording: October 1958 in Olympia Hall, Paris\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51857341284668,"sku":"FSLP-342","price":39.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/SR101_0804c00d-b490-47e2-968f-9cda475cdbce.jpg?v=1752438486"},{"product_id":"art-blakey-the-new-jazzmen-live-in-paris-65-vinyl-lp","title":"Art Blakey \u0026 The New Jazzmen - Live In Paris '65 Vinyl LP","description":"\u003cul\u003e\n\u003cli\u003eLimited edition 180-gram vinyl reissue\u003c\/li\u003e\n\u003cli\u003eNever-before-released Art Blakey 1965 live recordings\u003c\/li\u003e\n\u003cli\u003eFirst official release with permission and cooperation of the Art Blakey Estate and INA (Institut National de l'Audiovisuel)\u003c\/li\u003e\n\u003cli\u003ePressed at Pallas in Germany\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA truly powerhouse quintet. Art Blakey, Live in '65 boasts an exceptional one-hour concert from Paris in 1965. This performance showcases one of the few undocumented Blakey bands, the New Jazzmen, featuring Freddie Hubbard on trumpet, Jaki Byard on piano, Reggie Workman on bass, Nathan Davis on sax, and, of course, Blakey on drums. Freddie Hubbard's incendiary playing on \"Blue Moon\" and the blistering 24-minute version of his own \"Crisis\" shows that he was one of the most innovative trumpeters in jazz history. On this live session, the audiences seem to have been enthusiastic and appreciative. \"Everywhere we'd go people would say, 'This is the best Jazz Messengers we've heard!',\" according to Davis. \"And because of the way Jaki would play and Reggie would go, it was like a semi-freedom thing — with Messengers heads, you know, but when we got to soloing...! And Blakey was ridin' and floatin' the time...but he would always be loose enough to follow, to keep it going. He's one helluva musician.\"\u003c\/p\u003e\n\u003cp\u003eRecorded at Palais de la Mutualité, Paris, France, November 3, 1965.\u003c\/p\u003e\n\u003cp\u003eFreddie Hubbard, trumpet\u003cbr\u003eNathan Davis, tenor saxophone\u003cbr\u003eJacki Byard, piano\u003cbr\u003eReggie Workman, bass\u003cbr\u003eArt Blakey, drums\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51857341350204,"sku":"FSLP-343","price":44.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/LP-1_705c511e-4f46-4934-ab3d-1a959a3f1491.jpg?v=1752438472"},{"product_id":"the-heath-brothers-paris-76-vinyl-lp","title":"The Heath Brothers - Paris 76 Vinyl LP","description":"\u003cul\u003e\n\u003cli\u003eThe Lost Live Series from Sam Records\u003c\/li\u003e\n\u003cli\u003e180-gram vinyl\u003c\/li\u003e\n\u003cli\u003eNever-before-released The Heath Brothers Paris '76 live recordings\u003c\/li\u003e\n\u003cli\u003eFirst release with full permission and cooperation of the INA (Institut Naational de l'Audiovisuel)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSam Records is proud to present a live recording the band gave in Paris at Studio 104, Maison de la Radio, on April 16, 1976. In addition to a superb version of \"One for Juan,\" the band perform two tracks from the Marchin' On! album, \"Watergate Blues\" and a wonderful version of \"Smilin' Billy.\" \"That was the first Heath Brothers album. Stanley Cowell had started the Strata-East label with Charles Tolliver, and they engaged us to do a record. It was a family affair, and we adopted Stanley because we thought he was amazing. That was a different type of record for us. We recorded it while we were on tour in Oslo, Norway. We used to get on the train and travel around Europe, and we'd be playing in these cabins on the train. Percy played a bass with a cello body that Ray Brown created, Tootie and I played flutes, and Stanley played a chromatic African thumb piano. People would stop and listen to us on these trains going from one country to the next, and it was something that they liked. It was like a chamber-music group. So we decided to include that sound on the record.\" — Jimmy Heath in I Walked With Giants: The Autobiography of Jimmy Heath\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51857341382972,"sku":"FSLP-344","price":44.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/SRLP29-Cover-1_6c692257-ef76-443c-a840-274bba622184.jpg?v=1752438561"},{"product_id":"sahib-shihab-sahib-shihab-and-the-danish-radio-jazz-group-vinyl-lp","title":"Sahib Shihab - Sahib Shihab And The Danish Radio Jazz Group Vinyl LP","description":"\u003cul\u003e\n\u003cli\u003eStickly Limited Edition 3000 copies\u003c\/li\u003e\n\u003cli\u003eRe-mastered from the original stereo master tapes\u003c\/li\u003e\n\u003cli\u003e180 gr vinyl pressed in Marciac, France by Garcia \u0026amp; Co.\u003c\/li\u003e\n\u003cli\u003eDeluxe flipback album jacket\u003c\/li\u003e\n\u003cli\u003eFacsimile reissue using the original artwork\u003c\/li\u003e\n\u003cli\u003eDouble insert using an original photo by Jan Persson\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSahib Shihab (Edmund Gregory) played with many of jazz's finest musicians. Shortly after he became one of the first jazz players to change their names due to an Islamic conversion, he joined Thelonious Monk for his Blue Note sessions. He also played with Art Blakey, Dizzy Gillespie, Oscar Pettiforn and Quincy Jones. A unique musician, he was at home in every musical style, from the experimentalism of Thelonious Monk to the more direct hard bop of Art Blakey. Sahib Shihab's distinctive sound was rooted in his modernist compositions and arrangements, complemented by an intense, soulful playing style.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIn 1959 he toured Europe with Quincy Jones after getting fed up with racial politics in USA and ultimately settled in Scandinavia. He worked for Copenhagen Polytechnic and wrote scores for television, cinema and theatre. He remained there until 1973. During this period, he recorded several albums as leader for European labels such as Vogue, Storyville and Futura. In 1961 he joined The Kenny Clarke-Francy Boland Big Band and remained a key figure in the band for the 12 years it ran. He married a Danish lady and raised a family in Europe, although he remained a conscious African-American still sensitive to racial issues. This record, on the Danish Oktav label, his second as a leader and also his rarest, is a true masterpiece!\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51857341415740,"sku":"FSLP-345","price":44.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/SAHIB-SHIHAB-Cover_91739ebe-dc34-4834-b4af-eac70cc00365.jpg?v=1752438549"},{"product_id":"mal-waldron-mal-waldron-trio-rat-now-paris-70-vinyl-lp","title":"Mal Waldron Trio - Rat Now... Paris 70' Vinyl LP","description":"\u003cul\u003e\n\u003cli\u003eNever-before-released Mal Waldron Trio 1970 live recording\u003c\/li\u003e\n\u003cli\u003eFirst official release with the full permission and cooperation of the Mal Waldron Estate \u0026amp; INA (Institut National de l'Audiovisuel)\u003c\/li\u003e\n\u003cli\u003e180-gram vinyl limited to 3,000 copies\u003c\/li\u003e\n\u003cli\u003ePart of The Lost Lives Series from Sam Records\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis was recorded inside the Palais d'Orsay Hotel in Paris on March 10, 1970. The city's International Sound Festival was being held at the time, and this recording was aired in the \"Jazz Vivant\" radio show presented by André Francis. The performance here is a first on record, and it captures the renaissance of pianist Mal Waldron, fronting a trio comprised of drummer Christian Vander (co-founder of the group Magma) and bassist Jean-François Catoire (a long-time partner of Vander). Waldron's career was reviving after his European exile, a lengthy hiatus tied to his patient process of reconstruction after years spent fighting his addiction. In 1969 he recorded Free at Last for the brand-new ECM label (it was their very first production) and two years later he would do the same for the Enja label. Before that, in 1970, he had also toured in Japan for the first time, and it would make him instantly popular there. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBefore the present concert recorded on March 10, 1970, Mal Waldron had appeared the previous year (a summer gig) in a club at Antibes, the Early Bird, playing with the same comrades, namely Christian Vander and Jean-François Catoire. Many critics had praised that trio's quality in the media, and the late Maurice Cullaz, a great admirer of Waldron, even went so far as to say he had \"rarely heard these three musicians play in such an extraordinary manner.\" So it was quite logical, when the trio got together again in March in Paris, that the same cohesion would be apparent in their opening tune \"Rat Now,\" a theme that had appeared on the Free at Last album recorded for ECM (November 1969) only four months before this concert. The pianist plays throughout in his characteristic style, the left hand accentuating a constant undertow while his right hand releases a controlled energy. Christian Vander's unbridled percussion gives a free dimension to this tune, which lends a kind of austerity that shows the fundamental influence that the great Thelonious Monk had wielded over Waldron's piano style, alongside that of Bud Powell: \"After I fell into the depths, I couldn't find the lyrical side of my playing again. The way I expressed myself had become more dense; it had refocused itself more.\" That legacy is even more palpable in the tune that follows, \"Champs Elysées,\" a composition from the album Impressions (1959). The melody lines, impregnated by the blues, mingle gleefully with the whirling figures provided by Mal and his partners.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Rock My Soul\" — and its heady tempo, where once again we can measure the strength and complementary nature of Waldron's left hand, transmitting a breakneck rhythm beneath the controlled lyricism coming from his right hand — also appeared among the pianist's recently recorded compositions on the Free at Last session. Vander's tumultuous drumming here feeds the flow with a robust jazz that is brimming with vigorous phrases; and when the tempo dies down, the double bass of Jean-François Catoire instils a truce that fools no-one: it heralds a feverish finale. The final theme \"Mount Fujiyama\" was inspired by a trip to Japan that Waldron made in the winter of 1969-70. Here the music carries the imprint of serenity, yet once again it is the reflection of Mal Waldron's deep-rooted New York heritage.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMusicians:\u003cbr\u003eMal Waldron, piano\u003cbr\u003eJean-Francois Catoire, bass\u003cbr\u003eChristian Vander, drums\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51857341481276,"sku":"FSLP-346","price":44.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/Mal-Waldron-150dpi_53ed212f-49e6-4676-a06d-4cf091b365b4.jpg?v=1752438519"},{"product_id":"various-j-jazz-deep-modern-jazz-from-japan-volume-4-vinyl-3lp","title":"Various - J Jazz: Deep Modern Jazz From Japan Volume 4 Vinyl 3LP","description":"\u003cul\u003e\n\u003cli\u003ePressed on 180g triple black vinyl\u003c\/li\u003e\n\u003cli\u003ePackaged in a deluxe gatefold sleeve\u003c\/li\u003e\n\u003cli\u003eMastered at the Grammy-nominated Carvery Studio by Frank Merritt\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis latest station stop off is with the famed Nippon Columbia label, one of the biggest labels in Japan, whose jazz output embraces every possible style imaginable. Focusing on the key years 1968-1981, J Jazz volume 4 sees compilers Tony Higgins and Mike Peden dig even deeper into their record collections and pull-out tracks that span styles ranging from solo to big band, jazz classical interpretations and heavy jazz rock, to febrile post-bop, white hot samba fusion, and modal psychedelic wig-outs.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eJ Jazz volume 4 features icons such as drum master Takeo Moriyama, keyboard magi Hiromasa Suzuki, Fumio Itabashi, and Masahiko Satoh, and guitar wizards Kazumi Watanabe and Kiyoshi Sugimoto, alongside big band maestros and innovators Nobuo Hara and his Sharps and Flats, and Toshiyuki Miyama’s New Herd. Thunderous basslines nestle alongside glistening runs of electric piano, bubbling synths and air-tight drumming as the heavy psychedelic modal blues of Jiro Inagaki flows with the infectious samba grooves of Takashi Mizuhashi featuring Herbie Hancock; Shigeharu Mukai’s fusion funk epics take the music to another level and Mikio Masuda’s driving keyboard rhythms brings the heat to an incendiary dancefloor zone.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWith 7,000 words of extensive sleeve notes, J Jazz vol 4 comes in a triple 180g vinyl set inside a deluxe gatefold sleeve with obi strip plus a 4 page insert. Mastered at the Grammy-nominated Carvery Studio by Frank Merritt, this latest collection is a worthy successor to the preceding three volumes that have set the bar so high.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51870271996220,"sku":"FSLP-352","price":44.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/197188693732_974x_844aef78-73ee-4c08-bcf8-c683be2b976d.jpg?v=1751896953"},{"product_id":"gilles-peterson-gilles-peterson-presents-international-anthem-vinyl-2lp","title":"Gilles Peterson Presents International Anthem Vinyl 2LP","description":"\u003cp\u003e\u003cem\u003eGilles Peterson presents International Anthem\u003c\/em\u003e is a Deluxe Double LP compilation chronicling the legendary London-based radio host, DJ, label head, curator and cultural impresario's long-standing affinity for and interaction with artists and music from the Chicago-born record label International Anthem. 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