{"title":"Anniversary Sale — 20% Off","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e20% off select titles until sold out — final sale. No code needed — applied automatically at checkout.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","products":[{"product_id":"kim-gordon-the-collective-vinyl-record-vinyl-lp","title":"Kim Gordon - The Collective Vinyl LP","description":"\u003cp\u003eLegendary musician and multi-disciplinary artist Kim Gordon returns with her second solo album, The Collective, which will be released March 8th on Matador. Recorded in her native Los Angeles, The Collective follows Gordon’s 2019 full-length debut No Home Record and continues her collaboration with producer Justin Raisen (Lil Yachty, John Cale, Yeah Yeah Yeahs, Charli XCX, Yves Tumor), with additional production from Anthony Paul Lopez. The album advances their joint world building, with Raisin’s damaged, blown out dub and trap constructions playing the foil to Gordon’s intuitive word collages and hooky mantras, which conjure communication, commercial sublimation and sensory overload.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"On this record, I wanted to express the absolute craziness I feel around me right now,\" says Gordon. \"This is a moment when nobody really knows what truth is, when facts don’t necessarily sway people, when everyone has their own side, creating a general sense of paranoia. To soothe, to dream, escape with drugs, TV shows, shopping, the internet, everything is easy, smooth, convenient, branded. It made me want to disrupt, to follow something unknown, maybe even to fail.\"\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51796812136764,"sku":"FSLP-032","price":27.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/201374942622.jpg?v=1751897248"},{"product_id":"peaches-the-teaches-of-peaches-vinyl-record-vinyl-lp","title":"Peaches - The Teaches Of Peaches Vinyl LP","description":"\u003cp\u003eThe Teaches of Peaches is the second studio album by Canadian musician Peaches, released on September 5, 2000, by Kitty-Yo.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51796813021500,"sku":"FSLP-049","price":25.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/201374738077.jpg?v=1751897234"},{"product_id":"allah-las-zuma-85-vinyl-lp","title":"Allah-Las - Zuma 85 Vinyl LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFor the last 15 years, Allah-Las have alchemically melded surf rock washes with folk rock jangle and rock, building up their lauded music podcast, Reverberation Radio, and record label, Calico Discos, in the process. But a lot has changed since Matthew Correia (drums\/vocals), Spencer Dunham (bass, guitar, vocals), Miles Michaud (guitar, organ, vocals), and Pedrum Siadatian (guitar, synth, vocals) first bonded over psych rock vinyl in the back room at Amoeba Records in the late aughts. Zuma 85 signals the start of a new era for Allah-Las, and finds the band reinventing itself in defiance of the algorithmic categorization and robotic sterility. Recorded in the midst of the shift from the Old World to whatever branch of reality we’re on now, it’s a return, too: The album will be released October 13th on their own label, Calico Discos, in partnership with Innovative Leisure, which released early defining statements like Allah-Las (2012) and Worship The Sun (2014).\u003c\/span\u003e\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51813509300540,"sku":"FSLP-092","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/allah-las-zuma-85-vinyl-lp_c76647e4-347e-4ccf-a75f-99dae596a1dd.jpg?v=1752438001"},{"product_id":"sally-anne-morgan-carrying-indie-exclusive-newt-red-vinyl-vinyl-lp","title":"Sally Anne Morgan - Carrying (Indie Exclusive Newt Red Vinyl) Vinyl LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMulti-instrumentalist Sally Anne Morgan, known for her work as part of The Black Twig Pickers, and half of House and Land (with Sarah Louise), cultivates seeds sown by folk musics and psychedelia. Carrying tills the rich soil of Appalachian traditions and her rural North Carolina surroundings into warm, reflective songs about the weight people carry with them, as well as Morgan’s own pregnancy and the birth of her first child. Bridging the more freeform, expansive leanings of 2021’s Cups and the lucid beauty of her acclaimed 2020 debut Thread, Carrying finds Morgan imbuing her masterfully crafted songs with more subtle and intricate arrangements. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe album’s exploratory nature is anchored by a full band comprised of some of the most thoughtful players in the psychedelic folk and “cosmic country” spheres, including a guest appearance by Ripley Johnson (Rose City Band, Wooden Shjips, Moon Duo), and the foundational rhythm section of fellow The Black Twig Pickers collaborators: drummer Nathan Bowles (Steve Gunn Band, Pelt), guitarist Andrew Zinn, and bassist\/engineer Joe Dejarnette. Morgan finds unity in the burdens and joys, tensions and releases of modern living as a common thread that people bear in their day-to-day lives. “So much of what we accumulate and carry around with us burdens us, but we also can’t or don’t know how to let go,” says Morgan. The profoundness and mundanity of that weight ran parallel for Morgan as she literally carried her child to term: the utter commonality of enduring what billions of parents before her had, and the awesome power of the human body and spirit, the complicated and unpredictable wash of emotions that come with nurturing and nourishing another life.\u003c\/span\u003e\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51813509333308,"sku":"FSLP-093","price":28.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/sally-anne-morgan-carrying-indie-exclusive-newt-red-vinyl-vinyl-lp_910698b3-df03-4885-9a55-45c239b67b47.jpg?v=1752438176"},{"product_id":"mount-maxwell-littlefolk-vinyl-lp","title":"Mount Maxwell - Littlefolk Vinyl LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMount Maxwell returns with another full-length journey into memory, melody, and geography - this time roaming beyond the BC environs of his previous records into a stranger, less knowable country. While still woozily nostalgic in the vein of Only Children and The People’s Forest, this outing feels more exploratory and wide ranging in scope, with a denser mixture of influences at play. The somnambulistic drift of Sea of Milk sets the stage with a series of wavering synth pulses that push us languidly toward land, eventually setting us down on the sands of Maze Crete, where a shadowy latticework of hand drums, flutes and synths await. From there we ascend to the aptly named Sky Eye, a rolling mixture of acoustic beats and analog string machines that gives us our first bird’s eye view of the album’s landscape. A Long Road pushes the acoustic instrumentation further, with shimmering tambourine marking time for a collection of hand drums and shakers, while Ages summons up an occult-like dream of glacial arpeggios and whispering synths. Slow Moves and Tree Motion float effortlessly along on beds of lazy congas and woodblocks before finally giving way to the title track - a heady juggernaut of distorted synths and trundling rhythms that propels us through the album’s second half like a locomotive through darkening hills. Drawing the record to a close, the gently repeating keyboard phrase of Mist blooms unexpectedly into a rainbow of human voices before evaporating into the oceanic swells of Hi Traveller. And there Littlefolk leaves us as it found us; adrift in a rolling sea.\u003c\/span\u003e\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51813509431612,"sku":"FSLP-095","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/mount-maxwell-littlefolk-vinyl-lp_dc94c098-5819-4185-8506-a41118cdeef5.jpg?v=1752438054"},{"product_id":"apifera-keep-the-outside-open-vinyl-lp","title":"Apifera - Keep The Outside Open Vinyl LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePsychedelic jazz supergroup Apifera is back for their second album for Stones Throw. \u003c\/span\u003e\u003cspan\u003eWhen the musicians come together, they create a new kind of alternative jazz: a dash of prog, a twist of post-rock, and a heavy dose of psychedelia, blended with the electronic jazz they are best known for. \u003c\/span\u003e\u003cspan\u003eWith several vocal tracks, Keep The Outside Open showcases a new side to the group – they let their imaginations run wild, wrapping personal stories from everyday life within fantasy and fictional characters.\u003c\/span\u003e\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51813509759292,"sku":"FSLP-104","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/apifera-keep-the-outside-open-vinyl-lp_a3330b12-660d-4a55-a842-adb6c17641e7.jpg?v=1752438469"},{"product_id":"tindersticks-soft-tissue-vinyl-lp","title":"Tindersticks - Soft Tissue Vinyl LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTindersticks' 14th album \"Soft Tissue\" showcases their exploratory spirit, mixing intimate songwriting with experimental soundscapes. The album evolves from their previous work, balancing introspective lyrics with innovative musical textures. Band members, including singer Stuart Staples, emphasize the collaborative nature of the creation process, fostering a dynamic dialogue that shapes their music. Key tracks like \"New World\" and \"Always a Stranger\" highlight this blend of personal reflection and sonic exploration, underscoring the band's enduring ambition and versatility.\u003c\/span\u003e\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51813509857596,"sku":"FSLP-106","price":30.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/tindersticks-soft-tissue-vinyl-lp_29cf0a51-dd10-45a1-8c02-954d6077eeec.jpg?v=1752438362"},{"product_id":"eddie-chacon-lay-low-indie-exclusive-blue-smoke-vinyl-vinyl-lp","title":"Eddie Chacon - Lay Low (Indie Exclusive Blue Smoke Vinyl) Vinyl LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEddie Chacon’s 2023 album, Sundown, established him as a “low-key R\u0026amp;B legend”, 30 years after his rocket-to-the-stars success as half of the duo Charles and Eddie. Now, Chacon is back with Lay Low, an album of hazy, seductive songs produced by Nick Hakim. Eddie Chacon’s soulful music has been praised by The Guardian, Uncut, MOJO, Record Collector, Aquarium Drunkard and many more.\u003c\/span\u003e\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51813511135548,"sku":"FSLP-112","price":27.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/eddie-chacon-lay-low-indie-exclusive-blue-smoke-vinyl-vinyl-lp_6797114d-deee-4779-b383-96b287f2162e.jpg?v=1752438098"},{"product_id":"sally-anne-morgan-second-circle-the-horizon-indie-exclusive-opaque-lavender-vinyl-vinyl-lp","title":"Sally Anne Morgan - Second Circle The Horizon (Indie Exclusive Opaque Lavender Vinyl) Vinyl LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSally Anne Morgan is an artist and naturalist in the purest senses. Raised on old time and Appalachian folk traditions, Morgan’s artistry embodies the rich life of the communities and natural world she surrounds herself with. Based in Alexander, NC on the edge of Appalachia and the Pisgah National Forest, Sally’s blend of traditional technique and distinctly modern compositional approach are infused with the sounds of her garden, surrounding pastures, forests and mountains.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“I wanted to capture the feeling of walking outside and just encountering organic nature sounds, some with patterns, some with a randomness that also verges on its own kind of pattern,” notes Morgan. “Old time fiddle music is the seed that grew into the part of my brain that makes music, and everything I do somehow seems to come back to that” she concludes. Abstraction in pursuit of free exploration of that which can’t be put into words balancing with an intentional structure of song lies at the album’s core.\u003c\/span\u003e\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51813511627068,"sku":"FSLP-122","price":28.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/sally-anne-morgan-second-circle-the-horizon-indie-exclusive-opaque-lavender-vinyl-vinyl-lp-1.jpg?v=1751897162"},{"product_id":"various-oz-echoes-diy-cassettes-and-archives-1980-1989-vinyl-lp","title":"Various - Oz Echoes: DIY Cassettes And Archives 1980-1989 Vinyl LP","description":"\u003cp\u003eOz Echoes peels away another layer of Australia's '80s DIY hive mind. The Oz Waves (EFFICIENT 004LP, 2017) successor exposes a deeper circuit of micro-run cassettes, community radio archives and irrationally abandoned studio sessions, as Steele Bonus sequences a ten-track compendium of drone pop, psyche-electronics and agitated tape cut-ups. From the Sydney cassette network, The Horse He's Sick returns with an industrial car crash, alongside Wrong Kind of Stone Age's pagan cacophony and primal riddims. M Squared dynamo Patrick Gibson appears in both Height\/Dismay and Mr Knott, his respective studio-as-an-instrument collaborations with Dru Jones (Scattered Order) and ex-Slugfucker Gordon Renouf -- the former's worn out apparition hails from an instantly deleted 1981 7\", while Mr Knott entrust one of the compilation's five previously unreleased tracks. Matt Mawson represents Brisbane music media-printed matter collective ZIP, as Adelaide's Three D Radio grants access to their vaults of live-to-air recordings and aspiring demo submissions, rescuing the slap-happy punk-funk of The Frenzied Bricks and Jandy Rainbow's prodigious beginnings in Les Trois Etrangers and Aeroplane Footsteps. Synchronously in Melbourne, Ash Wednesday (Karen Marks, The Metronomes) leads Modern Jazz's improvised proto-techno and EBM pioneers Shanghai Au Go-Go home record their sardonic synth-wave. A cherry-picked cast of unusual suspects, Oz Echoes' unfamed artist and non-band narratives are detailed by track-by-track liner notes with rarely published archival visions and artwork from Video Synth, prompting further rabbit hole ventures into this golden era of creative risk-taking and instant action. Includes download code.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51831882055996,"sku":"FSLP-128","price":30.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/a1289458945_16.jpg?v=1751897156"},{"product_id":"monolake-gravity-vinyl-lp","title":"Monolake - Gravity Vinyl 2LP","description":"\u003cp\u003eTwenty-four years on from its original release, Monolake's seminal Gravity receives its first vinyl pressing courtesy of Field Records. Occupying its own space at the intersection of dub techno, minimal and electronica, it's an ageless album of staggering vision and technological prowess which has matured into an all-time pillar of electronic music. This edition, remastered by the album's key architect Robert Henke, follows on from the reissue of Monolake's first album, Hongkong. Arriving just after the turn of the millennium, Gravity marked a turning point for Monolake. With co-founder Gerhard Behles moving on to other ventures, Henke produced most of the album solo and journeyed deeper into spatial exploration and the dub-informed principles that underpinned their project from the start. Minimalism and negative space run through the whole record, from the keen slithers of percussion pinging through lattices of delay to the hypnotizing pulse of subliminal basslines anchoring the tracks. Gravity is a record which hangs on techno's linearity as a form of meditation, but the crystalline clarity of the mix allows every micro-fluctuation in rhythm and sound to cut through. Compared to a lot of overly sterile digital music released in the early 2000s, Gravity endures thanks to the warmth and texture Henke elicited from his processes -- even when leaning into none-more-digital effects like bit reduction. He described the ninth-floor view over Berlin from his studio at night as a key influence on the sound of the record, but the space Gravity shapes out feels thrillingly implacable. Unbound by the standard conventions of time and space, Gravity stands proud as a true original and finally gets the ceremonious vinyl pressing it so richly deserves.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51831882252604,"sku":"FSLP-134","price":45.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/FIELD037LP_CU.jpg?v=1751897151"},{"product_id":"arovane-lilies-vinyl-lp","title":"Arovane - Lilies Vinyl LP","description":"\u003cp\u003eArovane's third album on vinyl for the first time in almost two decades. Arovane's acclaimed 2004 album Lilies has been out-of-print on vinyl for nearly two decades. Lilies was a follow-up to Tides (KEPLARREV 010LP) in every sense, exploring a trip to Japan and drawing on shimmering textures and the sort of melodies that you might need some time to recover from. There's a hugely evocative sense to these tracks, emotionally driven, free of complexity or conceit, piano melodies providing the central focus for a twilight cascade of light that seems perfect for the Tokyo skyline -- just as the sun sets. It's an album that radiates warmth and vulnerability, fusing the technological might at the heart of each track (and at the heart of the city) with an age-old understanding that certain echoes of sound, small melodic changes and cushioned lullabies can imprint sounds on your mind like childhood memories -- remembered forever. Like a dreamlike score, or maybe even an alternate soundtrack to Lost in Translation (2003) -- the sort of music that intertwines with images and stays in your mind indefinitely. After coming back from Tokyo and completing the production of Lilies, Uwe Zahn disassembled his studio in the big flat in an old building in Berlin's Prenzlauerberg district and stored it away in boxes. He needed a break from making music. Lilies was the last album prior to a nine-year hiatus for Arovane, ending in 2013 with the release of Ve Palor. All tracks composed and recorded by Uwe Zahn. Vocals on \"Pink Lilies\" by kazumi. Originally released on City Centre Offices in 2004. Remaster and cut by Kassian Troyer at Dubplates \u0026amp; Mastering. Cover art by Jim Kühnel based on a photograph by Uwe Zahn. Die-cut sleeve; poly-lined inners; includes download code; edition of 500.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51831882449212,"sku":"FSLP-140","price":31.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/KEPLARREV014LP_CU.jpg?v=1751897145"},{"product_id":"harold-land-damisi-vinyl-lp","title":"Harold Land - Damisi Vinyl LP","description":"\u003cp\u003eWewantsounds reissue for the first time Harold Land's classic LP Damisi, recorded in Los Angeles for Bob Shad's Mainstream Records and released in 1972. Featuring Buster Williams (b), Ndugu (ds), Bill Henderson (keys), and Oscar Breashear (tp), the album was recorded at a crucial time when Land was shifting to a more spiritual sound. The session is a superb mix of funk and modal jazz and features monster grooves.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eHarold Land was born in Houston in 1928 and grew up in San Diego, California. in 1954, he joined the Max Roach\/Clifford Brown Quintet recording one of the most important albums in the development of hard Bop, which was produced by Bob Shad, then the head of the Emarcy jazz label. Land quickly moved to Los Angeles and became a key saxophone player on the West Coast scene, recording as a leader for Contemporary and Pacific Jazz Records in the sixties. In 1968, he started a fruitful collaboration with vibe player Bobby Hutcherson forming the Harold Land\/Bobby Hutcherson Quintet that would last until 1971. Together they produced several records for Blue Note, Cadet, and Mainstream Records. Shad decided to go back to his jazz roots and record young emerging talents plus a handful of seasoned musicians from his Emarcy days, including Harold Land. He primarily recorded out of New York City but went to Los Angeles in 1971 with his A\u0026amp;R Ernie Wilkins for a short trip to record a few sessions with the sax player. Shad brought back three albums: two with the Land\/Hutcherson Quintet -- A New Shade of Blue reissued by Wewantsounds (WWSCD 008CD\/WWSLP 008LP) and Choma both released in 1971 -- and Damisi recorded with Oscar Brashear on trumpet replacing Hutcherson, released in 1972. Damisi, comprised of five extended tracks, kicks off with the up-tempo post bop \"Step Right Up to the Bottom\" before switching to the slow burning funk of \"In The Back In The Corner, In the Dark\" showcasing Buster Williams's formidable bassline and Ndugu's funk chops. Side one ends with \"Pakistan\", a beautifully serene tribute to the country, full of Eastern influences and featuring Land on oboe in the reflective tone. Side two opens with \"Chocolate Mess\" penned by Ndugu Chancler, a muscular funk groove backing great solos by Land, Oscar Brashear (who would soon join Earth Wind \u0026amp; Fire's horn section) and Bill Henderson on Fender Rhodes. \"Damisi\" the title track follows up and intricately alternates slow sequences with funkier passages, closing the album on perfect note. Original gatefold sleeve with never-seen session photos; newly remastered audio; includes two-page insert including new liner notes by Kevin Le Gendre.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51831882809660,"sku":"FSLP-150","price":35.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/WWSLP075LP_CU.jpg?v=1751897135"},{"product_id":"mike-grigoni-pan-american-new-world-lonely-ride-vinyl-lp","title":"Mike Grigoni, Pan American - New World, Lonely Ride Vinyl LP","description":"\u003cp\u003eMichael Grigoni and Pan•American present their first collaboration. The album’s title, New World, Lonely Ride, gestures toward its meditative orientation. The duo offers a series of reflections on the zeitgeist of our present moment, the spirit of our age: the isolation and loneliness that continues to echo in the wake of the pandemic; the fractures that mar our political discourse; the uncertainty that has stamped itself on the future of democracy. The vast geography of America and the absence of a common ground, a shared political vision, have contributed to the affective landscape of contemporary American life—of what it feels like to live in the United States today.\u003c\/p\u003e\n\n\u003cp\u003eUsing instrumental voices and textures drawn from the traditional American forms of folk, country, bluegrass and blues, and informed with a modern sense of ambience and space, the sound is both contemporary and deeply rooted. With New World, Lonely Ride, Grigoni and Pan American join countless American artists who have drawn upon this landscape—physical and affective—giving it a voice and shape, listening to its character. And in starting there, with listening, offer a response for the future.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51839942951228,"sku":"FSLP-162","price":28.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/a3846541108_10_ea3584bc-946c-4b8c-a16d-4028db14d2db.jpg?v=1752438051"},{"product_id":"justin-walter-destroyer-vinyl-lp","title":"Justin Walter - Destroyer Vinyl LP","description":"\u003cp\u003eThe music of Justin Walter veers between nebulous and numinous, coaxed from the translucent tonalities of his signature instrument, the EVI (Electronic Valve Instrument). Destroyer, his latest, and third for Kranky, marks his most multifaceted work yet. Inspired by minimalistic urges (evading grandiosity, condensing scope, embracing spatial restraint) tempered with the drama of triptychs (becoming, destruction, aftermath), the album’s eleven tracks thread a keening suite of aching, opaque beauty, traced in absence and breath.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFirst begun in the the no man’s land summer of 2020, Walter gradually amassed nearly two hours of demos, drafts, and ideas, then steadily whittled them to their essence. Destroyer enlists the sounds of a recently restored pump organ, adding pulses and quaking texture, but otherwise the album is a shimmering showcase of the EVI: miasmic, melodic, intuitive, infinite. It’s music of fraught devotion and uneasy peace, questing yet languorous, forever rapt and untethered.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51839943704892,"sku":"FSLP-170","price":25.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/a2001602684_10_aae0d7c5-b41c-4391-983e-ed59888bc1b2.jpg?v=1752438040"},{"product_id":"shabazz-palaces-black-up-vinyl-lp","title":"Shabazz Palaces - Black Up (Gold Vinyl) Vinyl LP","description":"\u003cp\u003eBlack Up is the new sonic move from Shabazz Palaces. Like rich velvet hijabs or gold threaded abayas. Luxury as understood by the modest. Shabazz Palaces. If Bedouins herded beats instead of goats and settled in Seattle instead of the Atlas Mountains, this would be their album. Forward thinkers but nostalgic for a sparer time when ancient astronomers only recognized five planets. Hip hop. Black light uses electromagnetic radiation to eradicate microorganisms, but shabazz didn’t come to kill a sound, just to shine their own incandescent lamp on this. Hear. Hard and clear. Fifty thousand years in the making. Honorable.—palaceer pink gators. Produced by Knife Knights.plcrs at Gunbeat Serenade Studio in Outplace Palacelands. It was recorded and mixed in Lixx-alog by Blood.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51845345247548,"sku":"FSLP-176","price":23.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/9144_1024x1024_2x_038af3be-d126-4f3e-971d-14a0ada8ec86.jpg?v=1752438243"},{"product_id":"dora-morelenbaum-pique-indie-exclusive-red-vinyl-vinyl-lp","title":"Dora Morelenbaum - Pique (Indie Exclusive Red Vinyl) Vinyl LP","description":"\u003cp\u003ePique is the sensational debut solo album from Dora Morelenbaum, one of the key talents spearheading Brazil's new musical wave. A member of the Latin Grammy award-winning band, Bala Desejo, Dora showcases a new side to her solo productions on this special LP. Whereas Dora's first solo EP, Vento de Beirada, was a leap of faith, Pique sees her soaring as one of Brazil's standout stars, emboldened, emphatic but ever elegant. Building bridges between past and present, it's a funkier, more groove-based affair, weaved together with those signature, slower, celestial tracks. Touching on disco, MPB, soul, R\u0026amp;B and jazz, the album is enriched with an indie pop aesthetic courtesy of fellow Brazilian star and co-producer, Ana Frango Elétrico.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWith an ethereal, enveloping air few can match, Dora's gift shines through both the serene and the spirited songs contained within. The blissful, sun-soaked 'Não Vou Te Esquecer' opens, before the funk-fuelled, feel-good 'Venha Comigo' and 'Sim, Não.' give a glimpse of the creativity bursting from the production partnership between Dora and Ana Frango Elétrico. Elsewhere, the album reclines into hazy lean-back realms via 'A Melhor Saída' and 'Petricor', virtuoso jazz funk in the form of 'VW Blue' and radiant MPB through the album's title track 'Pique'. The drumming is tight, fresh and swung, the horns and strings deftly arranged, as funk-driven basslines and strutting guitars mesh with playful production touches that give an added vibrancy to the record. It is an album that exhibits every side of Dora and one she has been involved in from the ground up, from the songwriting, singing, arrangement and production to booking the studio time and sourcing the artwork designer, Maria Cau Levy. An exchange of musical ideas powers every great scene and Rio's contemporary landscape is no different - a family of interconnected musicians and friends that collaborate on each other's productions. Pique is graced by a wealth of these leading Brazilian lights including her Bala Desejo bandmates Lucas Nunes, Julia Mestre and Zé Ibarra, as well as Guilherme Lirio, Alberto Continentino and Tom Veloso to name just a handful. This exchange crosses generations merging tradition with modernity. In a full circle moment, Dora's parents Paula and Jaques Morelenbaum, who featured in countless recordings from Tom Jobim's Nova Banda and Ryuichi Sakamoto to Gal Costa and Gilberto Gil, join on the album through backing vocals and arrangement. Pique sees Dora embrace a freedom through fresh forms, showcasing the depth and diversity of her creative artistry. An infinitely listenable release that nods to Brazilian greats like Gal Costa, Banda Black Rio and Lincoln Olivetti, fused with the indie pop edge of Ana's production. The result is truly unique and sure to be a future Brazilian classic.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51847902101820,"sku":"FSLP-188","price":32.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/B1cPeHbNB9L._SL1500_94c52f24-fde5-4c4f-90fc-8a7788ceda2e.jpg?v=1752438426"},{"product_id":"freddie-gibbs-freddie-vinyl-lp","title":"Freddie Gibbs - Freddie Vinyl LP","description":"\u003cp\u003eFreddie is the fourth studio album from acclaimed rapper, Freddie Gibbs. One of the most consistent and polished artists from the blog era, Freddie Gibbs has yet to release an album that does not achieve widespread acclaim, proving that he's able to compete in any era. At 10 tracks, the album comes at a blistering yet concise pace, showcasing his raw and energetic flow over thundering trap-influenced beats. Aside from a tasteful appearance from 03 Greedo, Freddie Gibbs mainly relies on himself to carry the album, and features production from hip-hop heavyweights such as Kenny Beats, Dupri, RichGains and more. Marking the 5 year anniversary since release, Freddie is back in print for the very first time.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51847903576380,"sku":"FSLP-200","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/71aTmM-N6mL._SL1000_2420b57c-0e54-4469-a280-7fbb7be7f222.jpg?v=1752438216"},{"product_id":"khotin-finds-you-well-transparent-purple-vinyl-lp","title":"Khotin - Finds You Well (Transparent Purple Vinyl) Vinyl LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eSince debuting his Khotin project in 2014, Edmonton’s Dylan Khotin-Foote has fine-tuned an impressionistic, dream-like style of music that straddles multiple sonic worlds. His output often sways from gentle synthesized atmospherics to hypnotic, dance-minded frameworks. His self-released 2018 LP, Beautiful You, offered a study on melody and memory; the album’s nostalgia-nudging use of passing environments, voices, and abstractions captivated a cult following, a rare 4.5 review in Resident Advisor and the attention of Ghostly International, who pressed the cassette on vinyl for wider circulation in 2019. Now, Khotin reveals his first collection of new material since the signing. The album is a fluid continuation of his blissful and melancholic songcraft, extended humbly and warmly, Finds You Well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAs tongue-in-cheek as the title may appear, the phrase has haunted the producer for some time. Most often seen at the start of correspondence, the words “I hope this email finds you well” can land with varying levels of sincerity, depending on context and mood. Khotin-Foote started to read the line more ominously during the onset of the pandemic. So, this set of music winks at both possibilities, mixing a platitude’s opaque optimism with lurking uncertainty. Finds You Well can be heard in near-symmetrical halves: its 10 tracks represent the selections from a bounty of demos that, with less modes- ty, could have filled two records, one active and the other ambient. The resulting set isn’t an even split but it’s close. The A-side centers on the album’s steadiest sequence of beat-centric material. “Ivory Tower” is inextricably tied to benchmarks set by late ‘90s downtempo forerunners, spilling lucious and narcotic synth modulations across a sprinkler’s spray of breakbeats. Khotin’s sprightly melodic noodling brings that touchstone sound into vogue, bubbling up in free-form spurts. The sequence contin- ues through the propulsive “Heavyball,” into “Groove 32,” which begins with a funky bit-clipped drum and bongo boogie. A tight bass-line plugs into place, building a grid for square-wave pads, shimmering melodic textures, and stuttering vocal samples to percolate in. Khotin’s tone stabilizes on the B-side, balancing decidedly bucolic terrain with suspiciously eerie melancholy. Voices wander in the sprawling fre- quency sweeps. Organic textures sizzle and sputter in the clouds. “WEM Lagoon Jump” references local West Edmonton folklore, the time a kid jumped from a shopping mall’s second-floor balcony into the main pa- vilion’s fountain. After the splash, we land in the record’s most satisfying stasis, “Your Favorite Building.” A brittle clave and muffled kick hover in a wobbly mist of organ chords; the building is gorgeous, but seen at night, and empty, and from this angle, those shadows seem to crop up more of those subdued tremors, those nostalgic creeps, those droll musings. From behind a wall of melody, a kid peeks their head and softly sings, “you must love the world because it’s wonderful,” the vocal snippet comes courtesy of Khotin-Foote’s sister, Amaris. For much of Finds You Well’s second half, Khotin dabbles in a dusty and slightly detuned piano sound, revealing an artist unafraid to change shapes but maintain course. This set of chimeric visions sidesteps the subdued bombast that fills the A-side; instead, it suggests a counterpoint emphasizing the uncanny overlap between well wishes and empty promises.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51850811736380,"sku":"FSLP-279","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/GI371_35a1cb84-9f52-4456-827f-3d51930937e3.jpg?v=1752438397"},{"product_id":"angel-olsen-my-woman-vinyl-lp","title":"Angel Olsen - My Woman Vinyl LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAnyone reckless enough to have typecast Angel Olsen according to 2013's Burn Your Fire For No Witness is in for a rethink with her third album, MY WOMAN. The crunchier, blown-out production of the former is gone, but that fire is now burning wilder. Her disarming, timeless voice is even more front-and-center. Yet, the strange, raw power and slowly unspooling incantations of her previous efforts remain. Over two previous albums, she gave us reverb-shrouded poetic swoons, shadowy folk, grunge-pop band workouts and haunting, finger-picked epics. MY WOMAN is an exhilarating complement to her past work, and one for which Olsen recalibrated her writing\/recording approach and methods to enter a new music-making phase. As the record evolves, one gets the sense that the \"MY WOMAN\" of the title is Olsen herself, absolutely in command but also willing to bend with the influence of collaborators and circumstances. An intuitively smart, warmly communicative and fearlessly generous record, MY WOMAN speaks to everyone. That it might confound expectation is just another of its strengths.\u003c\/span\u003e\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51850812457276,"sku":"FSLP-285","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/angel-olsen-my-woman-vinyl-lp-cover.jpg?v=1752606465"},{"product_id":"angel-olsen-all-mirrors-vinyl-lp","title":"Angel Olsen - All Mirrors Vinyl 2LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe descent into darkness is a trope we find time again across history, literature and film - a protagonist plunging further and further into the depths. But there is also an abyss above. There is a winding white staircase that goes ever upward into the great unknown - each step, each turn, requiring a greater boldness and confidence than the one before. This is the journey on which we find Angel Olsen. Olsen’s flight is both upward and inward. Olsen's artistic beginnings as a collaborator shifted seamlessly to her magnificent, cryptic-to-cosmic solo work, and then she formed bands to play her songs, and her stages and audiences grew exponentially. But all along, Olsen was more concerned with a different kind of path, and on her vulnerable, Big Mood new album, All Mirrors, we can see her taking an introspective deep dive towards internal destinations and revelations. In the process of making this album, she found a new sound and voice, a blast of fury mixed with hard won self-acceptance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"I guess you could say some bold and unexpected things have happened in my life\" Olsen said. \"It feels like part of my writing has come back from the past, and another part of it was waiting to exist.\"All Mirrors gets its claws into you on both micro and macro levels. Of course, there’s that singular vibrato, always so very close - seemingly simple, cooed phrases expand into massive ideas about the inability to love and universal loneliness. And then suddenly - huge string arrangements and four horsemen bellowing synth swells emerge, propelling the apocalyptic tenor. Throughout All Mirrors, Angel fully lets in the goth tones that always lurked at the ends of her song craft.\"In every way - from the making of it, to the words, to how I feel moving forward - this record is about owning up to your darkest side,\" Olsen said. \"Finding the capacity for new love and trusting change, even when you feel like a stranger. This is a record about facing yourself and learning to forgive what you see. It is about losing empathy, trust, love for destructive people. It is about walking away from the noise and realizing that you can have solitude and peace in your own thoughts, that your thoughts alone can be just as valid, if not more.\"The first step of All Mirrors, was conceiving a back-to-basics solo record, which she recorded with producer Michael Harris in Anacortes, Washington. Soon after that was completed, a more ambitious version of the album began to percolate in her mind. This second, more maximalist version of All Mirrors evolved slowly with producer John Congleton, arranger Jherek Bischoff, Swiss Army Knife musician\/arranger Ben Babbitt, and a 14 piece orchestra.\"I was determined to keep it bare bones in order to contrast with the not yet recorded full band record,\" Olsen said. \"I wanted to have versions of these songs that are completely raw and real in the way some of my earlier recordings are, so that I could have the choice to play alone or with a band.\" While remaking the album with full production and new collaborators, Olsen developed a new relationship with control. And in that process, she developed an even clearer vision of herself as artist. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"It’s scary to be your own compass, to trust new faces, to be a stranger - but sometimes that’s the only way forward,\" she said. \"When you’ve been in a repetitive cycle so long it’s difficult for anyone to see you as someone who could come out of it. When you’ve made an example of yourself that people expect, some voices remind you of that example even when you know in your heart you’ve made changes.\"\"As I see it, in order for an artist to survive some kind of change, change needs to be a constant. For myself that constant change means having some kind of epiphany or clarity expressed in song. I don’t know if it’s something I inspire or attract, or if it’s just in the way I’m looking at my surroundings, but drama is something that surrounds my world and always has. I’m at least happy that I've learned to write it down.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51850812588348,"sku":"FSLP-287","price":25.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/angel-olsen-all-mirrors-vinyl-lp-cover.jpg?v=1752606442"},{"product_id":"majesty-crush-butterflies-don-t-go-away-clear-vinyl-vinyl-lp","title":"Majesty Crush - Butterflies Don't Go Away (Clear Vinyl) Vinyl LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDriven by lust-fueled limerence and drifting far from conformity, Butterflies Don't Go Away captures Majesty Crush's transient, yet subversive mark on the landscape of American shoegaze to come. Tracked between 1991-1995, the quartet reimagined the collapse of the American rust belt as a late-night, nail biting fever dream\/revenge fantasy. This deluxe 2xLP compiles their Love 15 album, singles, EPs, and rarities, all remastered from the original tapes, with thorough annotation and visual documentation in a 24-page booklet. An immortal transcendence if there ever was one.\u003c\/span\u003e\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51850813440316,"sku":"FSLP-297","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/NUM224_4ead17a9-a15a-4786-93ca-76bf84fca5f2.jpg?v=1752438301"},{"product_id":"codeine-dessau-clear-smoke-translucent-vinyl-vinyl-lp","title":"Codeine - Dessau (Translucent Clear Smoke Vinyl) Vinyl LP","description":"\u003cp\u003eAfter the success of Codeine’s Frigid Stars LP, the trio of Stephen Immerwahr, John Engle, and Chris Brokaw booked time at Harold Dessau Recording in June 1992 to track an eight-song sophomore album. A few days and a couple of unexplainable high-pitched frequencies later, the record was scrapped, shelved, and forgotten about. Brokaw left the band shortly after, and these songs were re-tracked in various iterations for Codeine’s final LP. On its 30th anniversary, Numero has unearthed these recordings, restoring the original White Birch to the band’s exacting standards with producer Mike McMackin. A slowcore masterpiece hidden in plain sight.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51850813604156,"sku":"FSLP-300","price":26.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/NUM900_22059312-1d72-462f-b780-5f46cf07bb67.jpg?v=1752438279"},{"product_id":"quasimoto-the-further-adventures-of-lord-quas-day-breaking-night-falling-color-vinyl-vinyl-lp","title":"Quasimoto - The Further Adventures Of Lord Quas (Day Breaking \/ Night Falling Color Vinyl) Vinyl LP","description":"\u003cp\u003eWhen the Beat Konducta and his trusty alter ego link up for the sequel, another southern California blunt cruise ensues. The Adventures Of Lord Quas consists of a slow ride through the deepest corners of the crate, leaving no genre unearthed until it claims space in the haze of one’s imagination. It’s business as unusual: Madlib funnels his most twisted impulses and comedic sensibilities into a sonic slacker flck complete with good dope, bottom-shelf liquor, and a penchant for gazing mouth agape into the great unknown. But he knows Lord Quas like a good needle on wax, and they casually strut through the loops, much ado about frontin’. (Not like fake shit ain’t a big deal, but it ain’t a big enough deal.) This record captures Madlib and his id at their most frantic, indulgent, and often confusing; they trade neatness for chaos, continuity for collage in a barrage of the finest sounds this side of the B-side. It’s hip-hop that takes every visible risk, often striking gold and proving how in control the Loop Digga truly is. Don’t hit it too hard, your other selves might pay you a visit.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51876024287548,"sku":"FSLP-374","price":41.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/the_further_adventures_vinyl_store2304983.jpg?v=1751896936"},{"product_id":"scott-gilmore-volume-01-vinyl-lp","title":"Scott Gilmore - Volume 01 Vinyl LP","description":"\u003cp\u003eScott Gilmore’s Volume 01, an Analog Synth Gem, Makes Its Vinyl Debut. Recorded on a vintage Tascam 388, the LP version of Gilmore’s alluring, easy-going instrumental electronic record arrives in the physical world via In Sheep’s Clothing Hi-Fi Records.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eLos Angeles, CA — When the Los Angeles electronic musician and multi-instrumentalist Scott Gilmore recalls the creation of the songs on Volume 01, he describes specific moments of spontaneous inspiration. “I remember sitting at the tape deck, watching the leaves outside the window as they flittered in the sunlight—a moment of stillness that became intertwined with the melody I was recording,” Gilmore recalls, speaking of the track “Song For Cate.” This sense of simplicity and presence is at the heart of Volume 01, which was recorded entirely on a Tascam 388 using a carefully curated selection of instruments. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eVolume 01, an intimate, instinctual album that mixes lo-fi digital rhythms, strummed guitar, and melodic synth layers, is a collection of songs that captures Gilmore’s magnetic fluidity and the spontaneity of his process. Initially released digitally and as a limited edition cassette, Volume 01 is set to be issued on vinyl for the first time by In Sheep’s Clothing Hi-Fi. The Tascam 388 is a classic mid-1980s analog machine that combines an 8-track reel-to-reel tape recorder with a built-in mixing console. Volume 01 exudes the kind of hazy, nostalgic warmth that only such recorders can provide. For the nine-song album, Gilmore harnessed analog synths including the Arp Odyssey, Yamaha CS-01, Korg DW-8000, Hohner Pianet T, Roland TR 606, and Roland SH 101, as well as bamboo alto saxophone, clarinet, electric guitar, and electric bass.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe album is awash in brief, propellant pieces. At just over four minutes, the relatively epic “Horizon Line” is driven by a three-note snare pattern, a two-note cymbal tap, with a humble bass-line serving as the rudder; Gilmore’s improvised keyboard runs move with an intuitive, conversational glee. The pensive \"Shade\" sounds like it could be a Penguin Cafe Orchestra demo. Closing track “D. Hareem” runs on a wobbly time signature but with an insistent, determined rhythm that belies genre descriptives. “I prefer to not know what I’m making as I compose,” Gilmore says. “It’s when I can’t clearly define what the music is that it’s then something that I want to put out into the world.” In hindsight, Volume 01 was a portent. After its 2016 cassette release, Gilmore connected with International Feel, the Balearic imprint run by Marc Barrot, to release the sublime Subtle Vertigo. In 2019, Gilmore’s music caught the attention of Marc Hollander, the experimental composer and founding member of Aksak Maboul, which led to a signing with the Belgian label Crammed Discs. That deal enabled the creation of Gilmore’s solo album Two Roomed Motel and Doctor Fluorescent, a retro-futuristic, Vocoder-heavy 2020 collaboration with Eddie Ruscha V, a.k.a. Secret Circuit). Across these projects, Gilmore’s work has been mentioned in the same sentences as Stereolab, Arthur Russell, Woo, Air, R. Stevie Moore, and others, all of whom have combined synths and non-synths to memorable effect. With the upcoming vinyl release, Volume 01 will set into wax an enduring set of works, offering listeners the chance to experience analog artistry in its most authentic, tangible form. In Sheep’s Clothing Records is honored to bring Gilmore’s work to vinyl.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51887151776060,"sku":"FSLP-402","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/FRONTCOVER_1024x1024_9370e6fe-4e7b-42da-987a-4aebb539a71e.jpg?v=1751991763"},{"product_id":"joel-shearer-listening-vinyl-lp","title":"Joel Shearer - Listening Vinyl LP","description":"\u003cp\u003eWith guitarist and ambient composer Joel Shearer’s new album, Listening, he took the path of repetition, subtle movement, and pure sound rather than conventional songwriting. What began as a disciplined experiment — limiting himself to just electric guitar — soon expanded. At various points, he introduced piano, cello, and trumpet, allowing the record to evolve organically. “I didn’t know I was making another record,” Shearer says. “I was experimenting, wanting to do something beyond just the electric guitar. So, I started these other tracks, and that’s how Listening came about.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eUnlike albums built around hooks or dramatic shifts, Listening unfolds gradually, moving with patience and restraint. There are no choruses, no obvious climaxes — just sound evolving over time. “Instead of a traditional song structure with a verse, chorus, or B section, it’s one continuous movement that grows and dissolves,” Shearer explains. “It’s not about anticipating the next moment—it’s about sitting inside the sound, getting comfortable with patience.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA Topanga-based session musician, composer, and producer, Shearer’s previous solo albums, Morning Loops and Hours, explored the manipulation of only the electric guitar, using texture and repetition to push beyond conventions. Listening continues that journey, offering music that resists distraction and rewards deep attention. Shearer recorded Listening without a click track, working in long, freeform takes. His shimmering, clean guitar tones—often unrecognizable, processed through looping pedals and effects—became a foundation, with layers of sound building around it. “I love making the guitar sound like anything but a guitar,” he says. “I might play for just a minute, but once the sound enters the effects chain, it takes on a life of its own. The music keeps evolving, stretching time in ways I couldn’t predict.” The opening piece, “Big Sur,” is an 11-minute meditation that drifts in slow, hypnotic waves, its layered guitar textures sparkling like light over water. The piece moves without urgency, subtly transforming as it pulls the listener deeper into its atmosphere. “Threshold” features a delicate piano melody that gradually unfurls, allowing its essence to fully settle before the next emerges. Subtle layers of ambient guitar weave around the piano, stretching and dissolving into the background, creating a sense of stillness and slow expansion.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAt nearly 15-minutes, “The Clear Light of the Void” is a slow-burning study in sustain and resonance. Layers of guitar stretch and dissolve into an open, drifting soundscape, each note lingering and shifting like a breath held in suspension. Subtle tonal variations emerge over time, creating a sense of vastness—an expanse where sound is less about movement and more about presence. “The world is noisy—so much information, so much distraction,” Shearer says. “I wanted to create something that allows people to just be present with the sound, without expectation.” It’s an album that demands nothing from the listener but offers space — to focus, to drift, to listen without waiting for what comes next.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51887152005436,"sku":"FSLP-403","price":27.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/FRONTCOVERJOEL_1024x1024_8a38b407-a120-4d60-80d8-f275cac90bff.png?v=1751991765"},{"product_id":"daniel-aged-bass-improvisations-pt-1-vinyl-lp","title":"Daniel Aged - Bass Improvisations Pt. 1 Vinyl LP","description":"\u003cp\u003eDeeply spiritual bass ambient by inc. no world’s Daniel Aged. Originally released digital only in 2020, our limited vinyl release comes with an unreleased track (our personal favorite) ! Daniel Aged’s Bass Improvisations, Pt. 1 is a recording to luxuriate in, an immersive set of four pieces that the accomplished musician laid to tape as a creative assignment. Best known for his session and production work with artists including Frank Ocean, FKA Twigs, Yves Tumor, Zsela, and Kelela, the Los Angeles-based Aged committed to spending focused time crafting a series of delicate, percussion-less pieces for his beloved instrument of choice, the bass.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“The bass is the instrument I grew up playing and I have a deep connection with it. I’m always exploring that instrument and its role within music,” he says. “I had a thirst to see what I could make in a week. So I made it in a week.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAs textured as they are inventive, three of the extended works originally came out in 2020 as a digital release on his Chiron Sound label. Four years later, Aged has teamed with In Sheep’s Clothing to issue a limited edition vinyl version of Bass Improvisations, Pt. 1. The release includes a new, previously unreleased, track, “1122.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAlong with his brother Andrew, Daniel formed Teen Inc. in the early ‘10s and, after shortening their name to inc., signed to 4AD to release their influential debut album, No World, in 2013. Featuring a young Sam Gendel, the album helped define the sound of ‘10s LA, and led them to work with Kelela on her 2015 release for Warp, Hallucinogen. Daniel released his self-titled debut solo album in 2018, followed three years later by his sublime second album, You Are Protected By Silent Love. Like a few tracks on Bass Improvisations, Pt. 1, You Are Protected … features Daniel’s sublime pedal steel guitar playing.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“I was just playing with melody, textures, and patterns, and seeing if I could express something in a simple format,” Aged says of the new vinyl release, which he created in what he calls his “little apartment in Echo Park.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“In all things, I like to feel grounded in some way,” Aged adds of his intentions for Bass Improvisations, Pt. 1. “I'm always drawn to something grounding.”\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51887152169276,"sku":"FSLP-404","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/FrontOnly_6_1024x1024_8d05cfc6-3e36-42df-a19f-47ea911d1bac.jpg?v=1751991767"},{"product_id":"maple-fyshh-you-are-leaving-my-mind-vinyl-lp","title":"Maple Fyshh - You Are Leaving My Mind Vinyl LP","description":"\u003cp\u003eA collection of late ’80s\/early ’90s recordings of introspective Japanese dream pop self-produced and recorded by outsider artist Maple Fyshh in his home studio in Miyazaki, Kyushu (Japan’s southern island facing the Pacific). Apparently inspired by Phil Spector and Joe Meek, as well as hot rod and surf music, the songwriting here attempts to replicate a sort of seaside ’60s American pop sound, but the spectral reverb, crunchy 4-track cassette recording, and wall-of-sound inspired production levitates these tracks into an ethereal territory. “君がどんどん離れて行く（リプライズ） (You are Leaving My Mind [Reprise]),” in particular, is an immensely beautiful little campfire type song that lingers in your memory long after the 2-and-three-quarter minutes are over.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51887152464188,"sku":"FSLP-406","price":27.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/a3161848732_10_1024x1024_351ea7ec-ece8-4145-9868-f9ee452dd9bb.jpg?v=1751991771"},{"product_id":"lionmilk-when-the-flowers-bloom-vinyl-lp","title":"Lionmilk - When The Flowers Bloom Vinyl LP","description":"\u003cp\u003eLionmilk announces his first album on Stones Throw, WHEN THE FLOWERS BLOOM - his antidote to depression and heartbreak, presented through a lens of optimism and joy. A truly self contained artist, Lionmilk wrote, produced, and performed every instrument on the new record. Each personal story is told with a different musical style: “only one” calls back to Lionmilk’s DIY and lo-fi roots; instrumental “tom is in heaven” pays tribute to a family friend who introduced Lionmilk to jazz; and “não mais saudade” focuses the Brazilian concept of saudade (longing) onto a story of relationships. Even when Lionmilk’s going through it, the songs stay light – as he puts it, “a ‘cheer up’ for my depressed ass.” As he grows and learns, everything comes full circle in an eternal bloom.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51897037029692,"sku":"FSLP-416","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/a0329287897_10.jpg?v=1752255178"},{"product_id":"pearl-and-the-oysters-planet-pearl-indie-exclusive-space-warp-splatter-vinyl-vinyl-lp","title":"Pearl And The Oysters - Planet Pearl (Indie Exclusive Space Warp Splatter Vinyl) Vinyl LP","description":"\u003cp\u003ePlanet Pearl is French-American duo Pearl \u0026amp; The Oysters’ second album for Stones Throw, following their critically acclaimed debut, Coast 2 Coast. Planet Pearl sees P\u0026amp;TO as castaway space explorers marooned on earth, pondering their own estrangement on the planet as they navigate a world that can often feel alien and demented.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51897048432956,"sku":"FSLP-436","price":27.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/201374988258.jpg?v=1752255224"},{"product_id":"cola-the-gloss-black-in-orange-vinyl-vinyl-lp","title":"Cola - The Gloss (Black In Orange Vinyl) Vinyl LP","description":"\u003cp\u003eThe Gloss is the second album from Cola. From their inception Cola have expanded on the d.i.y. ethic of the Dischord and SST eras, creating potent sounds from a minimal palette of drums\/bass\/guitar and lacing their songs with winsome one-liners and societal commentary. What’s another word for commentary? Gloss, apparently. Never basic, the lyrics reward repeated listening for deeper meanings. David Berman’s poetry-via-garage light pennings are an inspiration, as equally so are the lighter side of UK first-wave New Wave and the Dunedin sound. The results are in the pudding: at times sparse and poetic, at others a thrilling, hook-laden good time, as with the cheeky romantic sketch of a one-night stand that is so overflowing with innuendo-cum-journalism talk that it almost teeters over into self-parody. But the results are the right combination of lightheartedness and sincerity. Romanticism is never far from laughter, and equally never far from righteous anger in the music of Cola: “Pulling quotes now in the dark\/Our outlook is restrained\/Your tongue might weaken to be-fit your smile\/Til nothing ill remains.” ‘nuff said. It's an album bursting with energy and wit and ideas–filled to the margins. Out June 14th 2024 on Fire Talk.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51897048826172,"sku":"FSLP-437","price":26.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/201374953877.jpg?v=1752255226"},{"product_id":"jake-mehew-sage-vinyl-lp","title":"Jake Mehew - Sage Vinyl LP","description":"\u003cp\u003eOriginally released in 2022. Sage is a modern and contemporary turn on what a spiritual jazz record can be. This exceptional debut album, from artist Jake Mehew, set out to capture the raw energy present within performance. Workshopped and recorded over one week, many of the tracks on this album were captured in the moment; one-take improvised recordings. The intention being to harness an idea at its inception, rather than at its production. The unique nature of this recording is apparent not only in its content but also in its production; a combination of electro-acoustic music, jazz and contemporary classical sounds. This album has a raw, genuine immediacy that perfectly captures the spirit of the recording.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51901612753212,"sku":"FSLP-440","price":33.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/a1825336545_10.jpg?v=1752431285"},{"product_id":"kristen-nogu-s-john-surman-diriaou-vinyl-lp","title":"Kristen Noguès - John Surman - Diriaou Vinyl LP","description":"\u003cp\u003eWhen they performed a handful of concerts as a duo in the summer of 1998, Kristen Noguès and John Surman had already worked a lot on the interweaving of genres: Noguès had confronted traditional Breton music with contemporary music and Surman had changed his jazz into atmospheric numbers that would be amongst the finest recording on the ECM label. As a duo, the harpist and the saxophonist would go on to invent something different: free folk, traditional ambient, modal 'fest-noz'. It is difficult to label, because the duo Noguès\/Surman is one of a kind. Diriaou means \"Thursday\" in Breton. It is also the title of the first piece that Kristen Noguès and John Surman played together in 1991. Noguès learned the Breton language as a child, at the same time as the Celtic harp, \"taking lessons with Denise Mégevand, who would go on to teach others, notably Alan Stivell. At the beginning of the 1970s, she discovered the Breton song tradition (soniou and gwerziou) and became involved in Névénoé, a cooperative of traditional expression founded by Gérard Delahaye and Patrick Ewen. She recorded a single with the two musicians in 1974, then her first album, two years later. Everyone who has listened to Kristen Noguès debut Marc'h Gouez is now aware of her mysterious plucked strings. Her art, leaving Brittany, would go on to take in all landscapes and folklores, in the same as that of John Surman, conceived a little further north including vernacular jazz, international fusion with Chris McGregor or Miroslav Vitou, and exploring more personal territory. Kristen Noguèsand John Surman thus shared an \"extra-Celtic\" inspiration infused with free improvisation. On this recording, made in 1998 by Tanguy Le Doré at the Dre Ar Wenojenn festival, the duo uses original compositions which refer back to traditional songs (Maro Pontkalek, Le Scorff). The musicians then create fantastic impressions: Baz Valan, on which Noguès and Surman have a heavenly exchange; Kernow, on which the shared theme slowing disappears into the mist; Maro Pontkalek and Diriaou which move from the storm to the calm. Elsewhere, there is singing, first with Surman (Kleier) and then moving on to Noguès (Kerzhadenn and her signature song Berceuse). On a canvas of traditional music, the two musicians weave countless memorable landscapes.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51901613310268,"sku":"FSLP-450","price":39.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/Kristen_Nogu_s_-_John_Surman_-_Diriaou_Vinyl_LP_Album_Cover.jpg?v=1753043149"},{"product_id":"carla-dal-forno-look-up-sharp-vinyl-lp","title":"Carla dal Forno - Look Up Sharp Vinyl LP","description":"\u003cp\u003eCarla dal Forno announces her second full-length album, Look Up Sharp, on her own Kallista records. Dal Forno beckons a bold new era in her peerless output pushing her dub-damaged DIY dispatches to the limits of flawless dream-pop. In a transformative move towards crystal clear vocals and sharpened production, Look Up Sharp is an evolutionary leap from the thick fog and pastoral stillness of her Blackest Ever Black missives, You Know What It's Like (BLACKEST 015CD\/LP, 2016) and The Garden EP (BLACKEST 068EP, 2017). Three years since her plain-speaking debut album, the Melbourne-via-Berlin artist finds herself absorbed in London's sprawling mess. The small-town dreams and inertia that preoccupied dal Forno's first album have dissolved into the chaotic city, its shifting identities, far-flung surroundings and blank faces. Look Up Sharp is the story of this life in flux, longing for intimacy, falling short and embracing the unfamiliar. In her own territory between plaintive pop, folk and post-punk dal Forno conjures the ghosts of AC Marias, Virginia Astley, and Broadcast through her brushwork of art-damaged fx and spectral atmospheres. The first half of the record is filled with dubbed-out humid bass lines, which tether stoned hazes of psychedelic synth work, as on \"Took A Long Time\" and \"No Trace\". These are contrasted with songs like \"I'm Conscious\" and \"So Much Better\" that channel the lilting power of YMG and are clear sequels-in-waiting to dead-eyed classics like \"Fast Moving Cars\". The second half begins with the feverish bass and meandering melody of \"Don't Follow Me\", which takes The Cure's \"A Forest\" as its conceptual springboard. It's the clearest lyrical example since \"The Garden\" of dal Forno's unmatched ability to unpick the masculine void of post-punk and new wave nostalgia to reflect contemporary nuance. Look Up Sharp reaches its satisfying conclusion with \"Push On\" -- dal Forno's most explicit foray into an undiscovered trip hop universe between Massive Attack and Tracey Thorn. Adding further depth to Look Up Sharp are the instrumentals, which flow seamlessly between the vocal-led pieces. \"Hype Sleep\" and \"Heart of Hearts\" drink from the same stream as The Flying Lizard's dubbed-out madness and the vivid purple sunsets of Eno's Another Green World (1975). While \"Creep Out of Bed\" and \"Leaving For Japan\" funnel the fourth-world psychedelia of Cyclobe's industrial-folk into the vortex of Nico's The Marble Index (1968). A deeply personal but infinitely relatable album its many surfaces are complex but authentic, enduring but imperfect, hard-edged but delicate.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51901613375804,"sku":"FSLP-451","price":25.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/a3854602498_10.jpg?v=1752431306"},{"product_id":"julien-mier-gradually-vinyl-lp","title":"Julien Mier - Gradually Vinyl LP","description":"\u003cp\u003eGradually, the latest album by Julien Mier, is a sonic journey that delves into the transitions of life, identity, and the blurred boundaries between art and personal growth. With a trilingual brain, Mier reflects on how language shifts have shaped his sense of self throughout his life and the music that he writes. Gradually is his exploration of shapelessness -- an urge to break free from rigid musical genres and get closer to his most fundamental expression. The album is composed of nine tracks, each representing a distinct cultural and linguistic influence, all tied together by the theme of gradual evolution. The first section, \"Ciel, Soleil, and Espace\" (French for Sky, Sun, and Space), draws on Mier's French heritage, evoking the feeling of childhood memories bathed in a warm, nostalgic glow. This fluid, atmospheric section mirrors the soft, ever-changing air, symbolizing a time of pure, untainted intention. It feels like a hazy, sepia-toned dream, as fleeting and elusive as the scent of an old friend. The second section, \"Steen, Zee, and Zand\" (Dutch for Stone, Sea, and Sand), channels the influence of Mier's childhood in a small Dutch dune village. These tracks are grounded in the hard-edged textures of electronic dance music, a genre that introduced him to a world of rhythm and movement. It's a sonic landscape rooted in stability, a foundation from which everything can grow. The tracks build from the fluidity of the first section into more structured, rhythmic territories, mirroring the natural transition from childhood innocence to the discovery of deeper, more grounded musical influences. The final section, \"Scrap\" (a collaborative track with the Japanese producer Daisuke Tanabe), \"Soil,\" and \"Spark,\" dives into the exploration of the world beyond familiar borders. Mier's relocation from the Netherlands to Australia in 2016 is reflected in these pieces, which grapple with the contrast and complexity of different cultures and environments. These tracks are tinged with rust-red hues and a sense of eroded beauty, evoking a more fragmented, distorted view of the world. The music here is marked by tension, conflict, and the erosion of once-solid forms -- symbolic of the digital and ecological storms that shape our modern existence.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51901613474108,"sku":"FSLP-453","price":32.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/a0269510111_10.jpg?v=1752431310"},{"product_id":"kannaste4-out-of-self-and-into-others-vinyl-lp","title":"Kannaste4 - Out Of Self and Into Others Vinyl LP","description":"\u003cp\u003eHelsinki tenor saxophonist Jussi Kannaste's debut album as a band leader has been a long time coming. A top musician in the local scene revered by his contemporaries and sought after as a band member, Kannaste now presents his new work Out Of Self and Into Others on We Jazz Records. His quartet, Kannaste4, brings together Finnish musicians Tomi Nikku (of Bowman Trio) and Joonas Riippa, plus Berlin-based Swedish bassist Petter Eldh (of Koma Saxo\/Post Koma and Y-OTIS), and features an all original program penned by Kannaste. His music is highly personal contemporary jazz leaning into modes of avantgarde expression. At times quiet as a whisper, at times fiery and swinging, Out Of Self and Into Others is a product of a deep marinade, a debut album that feels like much more than \"just\" that. This album, full of compositional innovation that feels at the same time natural and unique, peels back and adds layers from the first moments on. \"No Name,\" a hauntingly beautiful quiet time ballad is a captivating listen, its sparsity lending the track remarkable quiet intensity. \"It's All Good,\" another key piece, is offered here as two versions bookending the LP edition's side B. The lax vibe of the piece delivers its message that feels soothing yet almost radical in its momentary acceptance of it all. Jussi Kannaste (born 1976) is a saxophonist and educator based in Helsinki. Prior to launching Kannaste4, he has been a key part of the scene for 20+ years, performing in highly acclaimed bands such as Antti Lötjönen Quintet East, 3TM, Jaska Lukkarinen Trio, Ricky-Tick Big Band, and many more. 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Elements of classic tragedy weigh heavily in the reflection of Modern Mirror in songs like \"The Other Side\", possessing a fundamental sound that is energetic, luminous and hopeful. Fusing the sonic aesthetics of predecessors like New Order and The Cure within the cautious instruction of Greek mythology and modern science fiction, Drab Majesty has birthed a hybrid of dreamy malaise, captured for a future moment.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe first single, \"Ellipsis\", romantically plays up the distorted concept of courting through modern technology in a world that has yet to adapt, while on \"Long Division\", Deb’s resounding guitar cascades around the chorus shared with No Joy frontwoman Jasamine White-Gluz, wistfully warning us against our vanity and self-obsession. Even when hope for everlasting love peeks through in \"Oxytocin\", a sparkling and stoic track sung by Mona D., we are firmly reminded our fleeting existence. 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Everyone Sagar encounters here - including himself - seems to be a step removed from present reality, whether by technology (\"Anything At All\"), solitude (\"Just Like My\"), or sweet fantasy (\"Like Mariah\").\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eHelium was recorded and mixed by Sagar alone in his apartment in Montreal in early 2018. Freed of the rigid editing process he'd endured before, he was able to lose himself in pursuit of tone and texture. A budding interest in ambient and experimental music pushed him to tinker with the micro-sounds that surround the songs here. 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Released at a pivotal point in her career, this double LP finds Badu tapping into the socio-political urgency of the times, wrapped in a dense, future-soul soundscape that’s equal parts experimental and deeply rooted in Black musical tradition.\u003c\/p\u003e\n\u003cp data-start=\"102\" data-end=\"478\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"102\" data-end=\"478\"\u003eBadu assembles an underground dream team of producers and engineers to build a sonically rich, politically charged record that addresses systemic racism, personal struggle, and spiritual awakening. Tracks like “The Healer,” “Soldier,” and “Twinkle” confront hard truths through experimental funk, broken beat, and free-form soul, all anchored by Badu’s unmistakable vocal presence.\u003c\/p\u003e\n\u003cp data-start=\"102\" data-end=\"478\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"102\" data-end=\"478\"\u003e“The music is the star,” she insists—and that ethos is felt across every track. 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This 2LP pressing captures the depth and complexity of the album in full, with warm, spacious analog presentation that rewards repeated listens.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51961568100668,"sku":"FSLP-589","price":39.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/716AgUbbQ6L._SL1000.jpg?v=1753822685"},{"product_id":"harold-land-quintet-the-peace-maker-verve-by-request-series-vinyl-lp","title":"Harold Land Quintet - The Peace-Maker (Verve By Request Series) Vinyl LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eReleased on the Cadet label in 1968, \u003c\/span\u003e\u003cem\u003eThe Peace-Maker\u003c\/em\u003e\u003cspan\u003e was the first of ten collaborations between the great tenor saxophonist Harold Land and vibraphonist Bobby Hutcherson. With a group including pianist Joe Sample, the session results in a lively, lyrical, and high-quality session. The Verve By Request Series features 180-gram vinyl, pressed at Third Man in Detroit.\u003c\/span\u003e\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51961568231740,"sku":"FSLP-592","price":29.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/81cTCxIRndL._SL1500.jpg?v=1753822693"},{"product_id":"ronnell-bright-the-ronnell-bright-trio-vinyl-lp","title":"Ronnell Bright - The Ronnell Bright Trio Vinyl LP","description":"\u003cul\u003e\n\u003cli\u003eRe-mastered from the original mono master tapes.\u003c\/li\u003e\n\u003cli\u003e180 gr vinyl pressed by Optimal in Germany using the Metal Mothers from Pallas.\u003c\/li\u003e\n\u003cli\u003eFacsimile reissue using the original photo by Jean-Pierre Leloir for the back cover (front photo is lost).\u003c\/li\u003e\n\u003cli\u003eDouble insert using an original photo by JP Leloir from the session.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRonnell Bright was in Paris for just a simple stopover during the European tour that Sarah Vaughan was doing to represent the United States at the Universal Exhibition in Brussels. This rare date was cut at Studio des Dames in Paris on June 5, 1958 for french Polydor label and it’s a stripped-down trio date with a nicely relaxed feel – one that has Ronnell Bright really opening up on the keys, in ways you don’t always hear on his material with singers. This session took place in a certain euphoria on Thursday of Corpus Christi, and you can feel the joy and dynamics in music. The other players in the trio are Richard Davis on bass and the English drummer Art Morgan.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51969874854204,"sku":"FSLP-604","price":39.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/Ronnell-Bright-Cover-46106.jpg?v=1753983277"},{"product_id":"soren-skov-orbit-adrift-vinyl-lp","title":"Soren Skov Orbit - Adrift Vinyl LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSøren Skov Orbit's debut album, \"Adrift,\" is at once subtle and profound. The Danish saxophonist and his collaborators have created something quite special and consistently deep. This record may not easily be classifiable, but the most interesting music creeps between the lines.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTenor and soprano saxophonist Søren Skov (Debre Damo Dining Orchestra) and keyboardist Peder Vind co-founded the trippy quintet Søren Skov Orbit in 2016 to explore “more jazzy ideas,” as the saxophonist puts it. Joined by a rhythm section steeped in contemporary improvisation and psychedelia, bassist Casper Nyvang \u003c\/span\u003e\u003cspan\u003eRask, drummer Rune Lohse and percussionist Ayi Solomon of the legendary 80's Ghanaian roots\/highlife band Classique Vibes, the Orbit belts out a richly focused helping of broadly African-inspired modern jazz with a hazy sheen.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOn the opening “Notifications of Nothingness,” Skov digs in his heels, a steely but languid unspooling of burnished tenor lines atop condensed, quavering piano and the thick footfalls of bass and percussion. As a tenor player, Skov has done his homework and has a kinship with Albert Ayler, Archie Shepp, J.R. Monterose, and the Dutchman Hans Dulfer, but he clearly has got his\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eown robust phraseology and expressiveness. He also cites multi-reedists John Gilmore, Yusef Lateef, and Bilal Abdurahman as, “some of the players I’ve been listening to the most for the last 10-15 years.”\u003cbr\u003e\u003cbr\u003eA healthy dose of reverb is present throughout the album, echoing Alton Abraham’s studio wizardry with the Sun Ra Arkestra or the trance-inducing and compressed fidelity of certain Ethio-jazz and Mystic Revelations of Rastafari sessions. Skov notes that, “everything is recorded live at the same time in the same room. I wanted to do it that way in order to catch the dynamics and authenticity of the music.” There is, in fact, a complex teeter-totter between crisp and hazy execution, achieved by a delicately balanced mix that keeps the group’s sound simultaneously advancing and receding. Vind’s phrasing is terse and introspective, a vibrating echo that nudges and reflects on Skov’s brusque tenor in a dance of sonic displacement.\u003cbr\u003e\u003cbr\u003e“Orbiting” pits a chunky backbeat and the teetering, taut hand-rhythms of Solomon against an infectious, almost microtonal piano riff, while Skov’s arpeggios are clean and florid as he patiently rises up from under a carpet of funky loops. Following the freer “Reflections of Rif,” “Naration” lilts with a wink at “Footprints” and tugs between up-tempo polyrhythmic drive, clanging keyboard accents, and the innately steadfast keenness of the bandleader. The coupling of Solomon and Lohse is a big part of the group’s detailed energy; as the leader puts it, “Ayi knows everything about regional differences in drum patterns. He is always listening and super responsive, and his and Rune’s dynamics are amazing.” The music both presents a “vibe” and keeps the door open for engaging well under the surface as repeated listens will be extremely rewarding.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51986902319420,"sku":"FSLP-637","price":39.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/a3393266873_10.jpg?v=1754599720"},{"product_id":"thurston-moore-trees-outside-the-academy-vinyl-lp","title":"Thurston Moore - Trees Outside The Academy Vinyl LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThurston recorded primarily on acoustic guitar and bass, laying down the core of the tunes with drummer compatriot Sonic Youth's Steve Shelley and violinist Samara Lubelski, a noted player from MV\/EE and The Golden Road, Hall of Fame, and other awesome gatherings as well as solo artiste. Thurston grabbed John Agnello to record and mix the sucker after having a helluva good time with the bro from working on Sonic Youth's 2006 killer \u003cu\u003eRather Ripped\u003c\/u\u003e. They decided to work in Dinosaur Jr.'s J Mascis's Bisquiteen studio (the top floor in J's Amherst house actually) where Dino did their \u003cu\u003eBeyond\u003c\/u\u003e album (2007). This worked out very nicely as it allowed Thurston to yell down the stairs every time he needed a shredding guitar solo and J would trundle up, plug in and BURN. Other guests on \u003cu\u003eTrees Outside...\u003c\/u\u003e are Christina Carter, she of Charalambides, and she of the most beatific, beautific voice on land, sea, and air. One track called 'Honest James' has Thurston and Christina singing duet against a single acoustic guitar and it is a naked groove. The otherworldly Canadian musician Andrew Macgregor aka \"Gown\" plays some spectacularly understated and incredible guitar and Sunburned Hand of The Man's John Moloney takes over the drum stool to absolutely flail on the pit snarling 'Wonderful Witches'. And then there's the 20 seconds or so of primal noise wave courtesy of American noise underground genius Leslie Keffer on Off Work. Most of the tunes are lyric driven but there are a couple of majestic instrumentals like \u003cu\u003eTrees Outside The Academy\u003c\/u\u003e, which brings the album to a musical and breathless close. There's also some weird cassette tape that Thurston found at his mom's of him at 13 years old in the early '70s making some kind of sound-theatre.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51986905891132,"sku":"FSLP-646","price":31.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/81hVpL8ddsL._SL1500.jpg?v=1754602174"},{"product_id":"various-still-in-my-arms-compiled-by-bayu-and-moopie-2025-transparent-yellow-vinyl-vinyl-lp","title":"Various - Still In My Arms: Compiled by Bayu and Moopie (Transparent Yellow Vinyl) Vinyl LP","description":"\u003cp\u003eA Colourful Storm Label head Moopie and digger extraordinaire Bayu shine light on a set of gems excavated from a curious period of IDM-electronica. The sentimental sequel to their stunning I Won't Have To Think About You compilation, the ten tracks float in melancholic space yet sound beautifully human. Neo Ouija alumni Bauri and Plod meet deFocus' own Lackluster, while Abfahrt Hinwil, the legendary duo of Toytronic boss Chris Cunningham and Martin Haidinger exchange a letter of melody with Multiplex. Includes a previously minidisc-only track by Proem and a superb cut by Merck Records' own MD, aka Jaakko Manninen. Full-color, reverse-card sleeve with printed insert. Also featuring Gimmik, Num Num, and Boc Scadet.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51989828436284,"sku":"FSLP-662","price":33.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/a0585522844_10.jpg?v=1754584554"},{"product_id":"las-malas-amistades-maleza-vinyl-2lp","title":"Las Malas Amistades - Maleza Vinyl 2LP","description":"\u003cp\u003eGatefold double LP version. Las Malas Amistades -- \"the bad influences\" -- are from Bogota, in Colombia; Maleza is their third album for Honest Jon's. Lovingly assembled, it presents 28 exquisite variations of saudade (a Portuguese term associated with poetic notions of love and nostalgia), in an acoustic, post‐punk take on Tropicalismo -- knockabout, impromptu, snapshot and sublime. Vice Magazine describes Las Malas Amistades' music as \"kind of like if the Young Marble Giants sang in Spanish and didn't fully know how to play.\" Maleza was recorded over a period of four years at member Humberto Junca's house in the middle of a busy and chaotic neighborhood. One member illustrates, however, the record \"sounds as peaceful and quiet as if it were recorded in some cave in the hills...\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIf you read the lyrics for the songs in Maleza, you may think that these four years were especially eventful in the sentimental department. There is a lot of despair and anger and distrust, as if each one of us had looked for and found an especially ill‐suited person to go out with so we could write a couple of sad songs about the whole experience. But if you don't read the lyrics and just listen to the music, both vocal and instrumental, you might get a different idea. It all sounds very peaceful and fragile, as if beneath that layer of anger there was always a melancholic yet hopeful stream.\"\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51989828829500,"sku":"FSLP-668","price":35.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/a4027161745_10.jpg?v=1754584562"},{"product_id":"joe-harriott-amancio-d-silva-quartet-hum-dono-vinyl-lp","title":"Joe Harriott \u0026 Amancio D'Silva Quartet - Hum Dono Vinyl LP","description":"\u003cp\u003eReleased in 1969, this is probably the best modern British jazz LP of all time. A beguiling mix of East meets West rhythms, ideas and joy, repressed with an authentic flip back sleeve. A sax player hailing from the Jamaican Alpha School. A sublime guitarist from Mumbai. A tight quintet with special guests that include Norma Winstone on improvised wordless vocals. One session, 1969, at the very peak of British jazz invention and sound. This album is brilliant and addictive in so many ways. It really does not get batter. Miss this at your peril.\u003c\/p\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51989828895036,"sku":"FSLP-669","price":38.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/JBH099LP_CU.jpg?v=1754584564"},{"product_id":"natural-information-society-since-time-is-gravity-vinyl-2lp","title":"Natural Information Society - Since Time Is Gravity Vinyl 2LP","description":"\u003cp\u003eThe next chapter of the Natural Information Society is here. Since Time Is Gravity, credited to Natural Information Society Community Ensemble with Ari Brown, presents a newly expanded manifestation of acclaimed composer \u0026amp; multi-instrumentalist Joshua Abrams nearly 15 year, 7 albums- \u0026amp;-counting flagship ensemble. Joining the core NIS of Abrams (guimbri \u0026amp; bass), Lisa Alvarado (harmonium) Mikel Patrick Avery (drums) \u0026amp; Jason Stein (bass clarinet) are Hamid Drake (percussion), Josh Berman \u0026amp; Ben Lamar Gay (cornets), Nick Mazzarella \u0026amp; Mai Sugimoto (alto saxophones \u0026amp; flute), Kara Bershad (harp) \u0026amp; Chicago living legend of the tenor saxophone Ari Brown. Recorded live to tape at Electrical Audio \u0026amp; The Graham Foundation, cover painting Vibratory Cartography: Nepantla, by Lisa Alvarado.\u003c\/p\u003e\n\u003cp\u003e\"Since first developing Natural Information Society in 2010, Joshua Abrams has been gradually expanding the group's conceptual underpinnings, its musical references \u0026amp; the sheer number of the group's members. Its music is, in a sense, an expansive form of minimalism, based in repeated \u0026amp; overlaid rhythmic patterns, ostinatos \u0026amp; modality. Its roots, its scale \u0026amp; its meaning become clearer in time. If time is gravity, it also allows us to carry more. Having begun as fundamentally a rhythm section with Abrams' guimbri at its core, the version here can stretch to a tentet, including six horns. Abrams has been expanding his minimalism gradually, but he has long understood a key to minimalism's potential: the breadth of its roots in the late 1950s \u0026amp; early 1960s, ranging from the dissatisfaction of young European-stream composers with the limitations of serialism to the simultaneous dissatisfaction of jazz musicians with the dense harmonic vocabulary of bop \u0026amp; hard bop. The former began exploring rhythmic complexity \u0026amp; narrow tonal palates in place of harmonic abstraction (Steve Reich's Drumming, Philip Glass' Music with Changing Parts; perhaps above all Terry Riley's In C \u0026amp; his late '60s all-night organ \u0026amp; loop concerts); the later reduced dense chord changes to scales (signally with Miles Davis' Kind of Blue, but rapidly expanding with John Coltrane's vast project). In the 1950s the LP record opened the world with documentation of Asian \u0026amp; African musics, key influences on both minimalists \u0026amp; jazz musicians. If John Coltrane's soprano saxophone suggested the keening shehnai of Bismillah Khan, the instrument was rapidly taken up by two key minimalists, LaMonte Young \u0026amp; Riley, similarly appreciative of its flexible intonation, the same thing that kept it out of big bands. If the guimbri, the North African hide-covered lute that Abrams plays with NIS, involves a rich tradition of hypnotic healing music associated with the Gnawa people, Abrams' music also touches on other musics as well --other depths, memories \u0026amp; healings, different drones, rhythms \u0026amp; modes. As the group expands on Since Time Is Gravity, he has made certain jazz traditions in the same stream more explicit as well. If there is a mystical \u0026amp; elastic quality involved in the experience of time, both in direction \u0026amp; duration, you will catch it here. The parts for the choir of winds expand on the roles of Abrams' guimbri, Mikel Patrick Avery \u0026amp; Hamid Drake's percussion \u0026amp; Lisa Alvarado's harmonium: at times, the winds are almost looping in the tentet version, each hitting a repeating note in turn, at once drone \u0026amp; distinct inflection on temporal sequence. The brilliance of the work resides in Abrams' compositions, the NIS' intuitive execution \u0026amp; in Ari Brown's singular embodiment of the great tenor saxophone tradition, including the oracular genius of Eddie 'Lockjaw' Davis, \u0026amp; Yusef Lateef...\" --Stuart Broomer, April 2022\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eMojo magazine #1 underground album 2023\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePitchfork 30 best jazz \u0026amp; experimental albums 2023\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThe wire 2023 rewind 50 top releases all genres\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBoston globe 50 favorite albums 2023\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAquarium drunkard 2023 year in review\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMagnet magazine #1 jazz\/improv album 2023\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePop matters 20 best experimental albums 2023\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRaven sings the blues 2023 favorites \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Finer Sounds","offers":[{"title":"Default Title","offer_id":51989828993340,"sku":"FSLP-670","price":54.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0923\/5320\/0444\/files\/a3291931151_10.jpg?v=1754584565"},{"product_id":"the-natural-yogurt-band-parasol-vinyl-lp","title":"The Natural Yogurt Band - Parasol Vinyl LP","description":"\u003cp\u003eThe Natural Yogurt Band, a mysterious and surprising music project arising from English countryside, has beautifully constructed a musical Parasol with this new album—not just a traditional sunshade, but a metaphorical shield (“para” in Latin) against visual dischord, noise, the ultra sonic spectrum, and generally all things unwanted. Parasol, composed by Miles Newbold—one of the most unique and fascinating figures in the contemporary neo-library psychedelic jazz fusion scene—was recorded in rural Derbyshire, nestled between hills and trees. The result is unmistakably singular, carrying The Natural Yogurt Band’s wild yet perfectly balanced signature sound: raw-edged compositions, solid but fragile textures, and heavy drum. All of it is framed by Newbold’s exceptional and uncompromising production style, which functions, fittingly, as a parasol—a protective barrier against the modern world’s relentless disturbances.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSonor Music Editions beautifully bridges the gap between the past and present, with this album, by featuring an original paintings by Italian artist Vivì as the cover art. 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